wed 27/08/2025

Classical music

Turangalîla-Symphonie, LSO, Rattle, Barbican review - a farewell night to remember

Simon Rattle’s farewell season as music director of the London Symphony Orchestra has inscribed a sort of artistic memoir as he moves from one of his beloved blockbusters to another. Last night, he closed his account at the Barbican (though he will...

Read more...

Bocheng Wang, Wigmore Hall review - extraordinary agility and technical fluidity

Rachmaninov had his doubts about his Variations on a Theme of Corelli. He confided to Medtner that when he performed them, “I was guided by the coughing of the audience. Whenever the coughing increased, I would skip the next variation. Whenever...

Read more...

First Person: pianist Isata Kanneh-Mason on how childhood informs her latest recording

My entire childhood was punctuated with music. I just can’t remember a time without it being present and I think it’s shaped me enormously. I have varying pieces of music for the different times in my life and they all evoke very powerful memories...

Read more...

Borletti-Buitoni Trust 20th Anniversary Weekend, Bold Tendencies, Wigmore Hall review - dazzling past, present and future

Founded two decades ago by Franco Buitoni and his wife Ilaria in league with their good friend Mitsuko Uchida, the Borletti-Buitoni Trust never seems to put a foot wrong in its choices: the present and future are as dazzling as the last 20 years. As...

Read more...

Elgar Oratorios, Hallé, Elder, Bridgewater Hall, Manchester review - a landmark in music making

Sir Mark Elder has a special affection for the music of Elgar. They share a birthday, on 2 June, and his time with the Hallé has included more than one celebration of the composer at this time of year.Now that his departure as music director is in...

Read more...

theartsdesk in Denmark - celebrating Nielsen in high style

Eight years ago I was privileged to be in Denmark on the 150th anniversary of Carl Nielsen’s birth, experiencing for the first time live his masterly Saul and David. The return visit was too brief and unexpectedly fraught, including a complicated...

Read more...

Classical CDs: Nursery rhymes, anvils and polar explorers

 Isata Kanneh-Mason: Childhood Tales (Decca)Ernst von Dohnányi’s Variations on a Nursery Song is one of the great concertante works for piano and orchestra, rightly compared to a full-scale concerto by soloist Isata Kanneh-Mason. You’ll...

Read more...

Bezuidenhout, The English Concert, St Martin-in-the-Fields review - Mozart spring-cleaned

An evening of Mozart favourites in a landmark church on a sunny evening: that might suggest a perfect recipe for gently soporific tourist entertainment. Thankfully, not in the hands of Kristian Bezuidenhout and the English Concert. At St Martin-in-...

Read more...

First Person: composer Kate Whitley on a new work for the Borletti-Buitoni Trust’s 20th anniversary

We at the Multi-Story Orchestra have been writing a new piece of music about social media. In one of the writing sessions I remember one of our musicians spending every second she wasn't playing on her phone, checking likes and comments as she'd...

Read more...

Handel for the King, Le Concert Spirituel, Niquet, Wigmore Hall at St James's Spanish Place review - post-coronation celebrations

Union Jacks could be stowed away, and EU ones figuratively, furtively flourished: this was a concert of celebratory music for a Hanoverian king by a Saxon composer, by then recently become a British citizen, performed by a French ensemble in a Roman...

Read more...

'Right now, we're in chaos': pianist and Leeds Lieder director Joseph Middleton on catastrophic cuts to arts funding

“If you want a picture of the future, imagine a boot stamping on a human face – for ever.” Replace a few of George Orwell’s words in 1984 and most musicians right now would find alarming resonance in the statement: “If you want a picture of the...

Read more...

Concert Theatre DSCH, Norwegian CO, Oslo Opera House Scene 2 review - Shostakovich choreographed for strings and accordion

Do we really need instrumental Shostakovich with lighting, movement, costumes and video projection? I might have said no before having seen what the Norwegian Chamber Orchestra could do with former leader Terje Tønnesen, performing the Chamber...

Read more...
Subscribe to Classical music