sat 09/08/2025

Classical music

BBC Proms: Estonian Philharmonic Chamber Choir, Kaljuste review - Arvo Pärt 90th birthday tribute

Arvo Pärt was into his 40s before he made had his Big Musical Idea: simplicity. He has spent the subsequent half-century pursuing this ideal, largely through the religious choral music that has been dubbed Holy Minimalism. And in this year of his...

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Classical CDs: Hamlet, harps and haiku

 Berlioz: Symphonie Fantastique, Ravel: La Valse Orchestre de Paris/Klaus Mäkelä (Decca)Rereading the composer’s memoirs and performing the Symphonie Fantastique have rekindled my interest in all things Berliozian, so this new album arrived at...

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Kolesnikov, Tsoy / Liu, NCPA Orchestra, Chung, Edinburgh International Festival 2025 review - transfigured playing and heavenly desire

Say what you like about this year’s slimmer-than-usual Edinburgh International Festival, but when it has hit the spot, it has done so triumphantly. Nowhere has that so far been truer than in the piano playing, as this pair of concerts demonstrated....

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BBC Proms: Láng, Cser, Budapest Festival Orchestra, Ivan Fischer review - idiomatic inflections

“Some are born to sweet delight, some are born to endless night,” quoth Blake. Beethoven and Bartók knew both extremes, but Iván Fischer and the Budapest Festival Orchestra led us from the most dancing of Seventh Symphonies to the endless...

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Weilerstein, NYO2, Payare / Dueñas, Malofeev, Edinburgh International Festival 2025 review - youthful energy and emotional intensity

NYO2 is a group of dazzlingly talented (and terrifyingly young-looking) 14-17 year olds from the USA, one of Carnegie Hall’s three national youth ensembles, and with a focus on supporting young musicians from communities that are under-represented...

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theartsdesk at the Three Choirs Festival - Passion in the Cathedral

“Powerful, Timeless, Inspiring” it says on the front cover of the programme-book for this year’s supposedly 297th Three Choirs Festival at Hereford. So please leave your frivolity at the cathedral door with your gun and your mobile phone.Richard...

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BBC Proms: Kholodenko, BBCNOW, Otaka review - exhilarating Lutosławski, underwhelming Rachmaninov

According to the programme, Lutosławski’s Concerto for Orchestra is heard somewhere around the world every other week. In which case I’ve been unlucky in never having heard it live before, despite being a fan for nearly 30 years. So I was relieved...

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theartsdesk at the Pärnu Music Festival 2025 - Arvo Pärt at 90 flanked by lightness and warmth

Life-changing? That's how the Pärnu Music Festival felt on my first visit in 2015, alongside the discovery of Estonia as a pillar of the European Union ideal. It’s also how Palestinian Lamar Elias, a student on the annual conducting course,...

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BBC Proms: Batsashvili, BBC Scottish Symphony Orchestra, Ryan Wigglesworth review - grief and glory

This Prom began in sombre and melancholic shades of grey. Then, as her encore, the superb Georgian pianist Mariam Batsashvili launched into Liszt’s Paganini étude, “La Campanella”, and bells of long-awaited joy rang around the Royal Albert Hall....

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Classical CDs: Hens, Hamburg and handmaids

 Désiré-Émile Inghelbrecht: The Complete Erato Recordings (Erato)We’re fortunate that Désiré-Émile Inghelbrecht (1880-1965) actually got as far as making a career in music. The aspiring violinist and composer was expelled from the Paris...

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BBC Proms: McCarthy, Bournemouth SO, Wigglesworth review - spring-heeled variety

It started like Sunday afternoon band concert on a seaside promenade, a massive ensemble playing it light. But while there were several too many Shostakovich pops, the Ravel concerto and Walton symphony ahead sailed for deeper waters, And the...

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BBC Proms: First Night, Batiashvili, BBCSO, Oramo review - glorious Vaughan Williams

The auditorium and arena were packed – and the stage even more so, bursting at the seams with players and singers: the perfect set-up for a First Night of the Proms. This is traditionally an opportunity to programme a large-scale choral work, and...

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