sun 22/06/2025

Classical music

Aldeburgh Festival, Weekend 1 review - dance to the music of time

This year’s Aldeburgh Festival – the 76th – takes as its motto a line from Shelley‘s Prometheus Unbound. The poet speaks of despair “Mingled with love and then dissolved in sound”. With or without words, music shapes and voices feelings that would...

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RNCM International Diploma Artists, BBC Philharmonic, MediaCity, Salford review - spotting stars of tomorrow

Two concerts in the BBC Philharmonic’s series in their own studio form the climax of studies at the Royal Northern College of Music for a small number of soloists on the postgraduate International Artist Diploma there, and also for some young...

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Classical CDs: Bells, whistles and bowing techniques

 Michel Béroff: Complete Erato Recordings (Erato)My associating French pianist Michel Béroff with ‘modern’ music says more about my age than it does about Béroff’s actual specialities. If you were looking for Messiaen in an early 1980s record...

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Monteverdi Choir, English Baroque Soloists, Suzuki, St Martin-in-the-Fields review - the perfect temperature for Bach

In the Saxony of 1725 – still in the grip of Europe’s “Little Ice Age” – Bach and his musicians would seldom have had to deal with the sort of midsummer sauna that enveloped Trafalgar Square last night. Yet, at St Martin-in-the-Fields, Masaaki...

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Dandy, BBC Philharmonic, Storgårds, Bridgewater Hall, Manchester review - a destination attained

The opening and closing concerts of a season tend to be statements of intent – to pursue a path of exploration or (latterly) to celebrate a destination attained. John Storgårds’ final programme of the BBC Philharmonic’s series at the Bridgewater...

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Hespèrion XXI, Savall, QEH review - an evening filled with laughter and light

For the first encore of the evening, it was not just the audience but the whole ensemble of Hespèrion XXI that was mesmerised as its leader, Jordi Savall, executed a fiendishly rapid sequence of notes that sent the rosin from his bow rising up...

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theartsdesk at the Dublin International Chamber Music Festival - musical revelations, nature beyond

If, like me, chamber music isn’t your most frequent home, there are bound to be revelations of what for many are known masterpieces. Mine in recent years have involved Brahms, a composer I love more the older I get: the Second, A major, Piano...

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Müller-Schott, RSNO, Søndergård, Usher Hall, Edinburgh - spectacular Shostakovich to end the season

There was a neat conjunction of commemorations to this concert, the most obvious one being the fact that that 2025 marks the 50th anniversary of the death of Dmitri Shostakovich, so it’s completely appropriate the Royal Scottish National Orchestra...

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Classical CDs: Cannons, culverts and mooching cattle

 Antal Doráti in London: The Mercury Masters Vol. 1 (Decca Eloquence)A couple of recent YouTube videos show DG engineers hard at work remastering Karajan’s 1970s Bruckner and Mahler recordings for new vinyl LP pressings. The process looks...

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Marwood, Crabb, Wigmore Hall review - tangos, laments and an ascending lark

James Crabb is a musical magician, taking the ever-unfashionable accordion into new and unlikely places, through bespoke arrangements of a spectrum of pieces which brim with wit and inventiveness. This lunchtime concert with violinist Anthony...

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Dennis, RSNO, Dunedin Consort, Søndergård, Usher Hall, Edinburgh review - potted Ring and deep dive into history

"How long is Wagner’s Ring Cycle?" That’s not the opening to a joke, it’s a genuine question asked by a friend who I’d met up with before heading to Edinburgh’s Usher Hall to hear the Royal Scottish National Orchestra perform "Wagner’s Ring Symphony...

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Batiashvili, LSO, Pappano, Barbican review - French and Polish narcotics

Three live, very alive Symphonie fantastiques in a year may seem a lot. But such is Berlioz’s precise, unique and somehow modern imagination that you can always discover something new, especially given the intense hard work on detail of Antonio...

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