sun 17/08/2025

Theatre

Elektra, Duke of York's Theatre review - Brie Larson's London stage debut is angry but inert

We live in tragic times given over to cataclysmic events that require outsized emotions in return. That may be one reason to account for the uptick, therefore, in Greek drama, which includes not one but two Oedipi, various adaptations of Antigone,...

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First Person: writer Lauren Mooney on bringing bodies together in the new Royal Court play, 'More Life'

It started with a Guardian long-read. I’m ashamed to admit it since so many shows could say the same, but that was the beginning.It was the summer of 2022, and James [Yeatman] and I had just finished making two shows back-to-back with our company,...

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Oedipus, Old Vic review - disappointing leads in a production of two halves

The opening scene of the Old Vic’s Oedipus is dominated by a giant backdrop of a skull-like face, eyes shut and rock-like. It belongs to the actor playing Oedipus, presumably, Rami Malek. This is as near to a close-up of the title character as we...

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Second Best, Riverside Studios review - Asa Butterfield brings the magic

Your response to Barney Norris’s one-man play, based on David Foenkinos’s bestselling novel as translated by Megan Jones, probably depends on which of the Gens is yours. The Gen Zs might turn a nose up, Joanne Rowling something of a discredited...

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Mrs President, Charing Cross Theatre review - Mary Todd Lincoln on her life alone

The phenomenal global success of Six began when two young writers decided to give voices to the wives of a powerful man, bringing them out of their silent tombs and energising them and, by extension, doing the same for the women of today. Its...

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… Blackbird Hour, Bush Theatre review - an unrelentingly tough watch

In a world tainted with racism and homophobia, the Bush Theatre is something of a refuge from prejudice. As one of the most queer friendly venues in London, it’s no surprise that this theatre is now staging babirye bukilwa’s … Blackbird Hour, a play...

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Play On!, Lyric Hammersmith review - and give me excess of it!

If you saw Upstart Crow on television or on stage in the West End, you’ll know the schtick of Sheldon Epps’ dazzling show Play On! Take a Shakespearean play’s underlying plot and characters and relocate them for wit and giggles. “Make it a musical...

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Inside No 9: Stage Fright, Wyndham’s review - uneven fright-night from the fêted duo

How excited Reece Shearsmith and Steve Pemberton must have been to learn that the venue for their Inside No 9 stage show was haunted, by an actress killed onstage there in 1921 when a death scene went fatally wrong. How very them.“Bloody Belle”,...

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Cymbeline, Sam Wanamaker Playhouse review - pagan women fight the good fight

There’s not much point in having three hours worth of Shakespearean text to craft and the gorgeous Sam Wanamaker Playhouse as a canvas if you merely intend to go through the motions, ticking off one of the canon’s less performed works. The question...

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An Interrogation, Hampstead Theatre review - police procedural based on true crime tale fails to ring true

In a dingy room with dilapidated furniture on a dismal Sunday evening, two detectives prepare for an interview. The old hand walks out, with just a little too much flattery hanging in the air, leaving the interrogation in the hands of the up-and-...

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The Lonely Londoners, Kiln Theatre review - Windrush Generation arrive in a London full of opportunities, but not for them

As something of an immigrant to the capital myself in the long hot summer of 1984, I gobbled up Absolute Beginners, Colin MacInnes’s novel of an outsider embracing the temptations and dangers of London.Written a couple of years earlier and set a...

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Kyoto, Soho Place Theatre - blistering, darkly witty play raises more questions than it answers

It took a while for journalists to identify the chain-smoking, Machiavellian figure who was a permanent presence at early international gatherings to hammer out a strategy on climate change. When Time Magazine nominated “endangered” Earth as its...

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