Theatre
The Understudy online review - entertaining adaptation of David Nicholls' novelFriday, 22 May 2020![]() A running gag in David Nicholls' novel The Understudy is that its main character is called Steve McQueen. Not that Steve McQueen, the multi-award-winning, critically acclaimed, rich and successful one. No, this Steve McQueen (Russell Tovey) is... Read more... |
Theatre Lockdown Special 6: A prolific playwright, a timeless play, and speeches galoreThursday, 21 May 2020![]() Can we really be entering a third month in lockdown? Indeed we can, and culture, thank heavens, shows no signs whatsoever of leaving us in the lurch. This week's lineup of highlights offers a typically electic bunch, ranging from two sizable... Read more... |
Cats, The Shows Must Go On review - a purr-fectly theatrical experienceSaturday, 16 May 2020![]() Cats is, declares composer Andrew Lloyd Webber, a show that doesn’t really have a story, but was beloved on stage because it’s “the ultimate theatrical experience”. That’s the point which Tom Hooper’s grotesque, nightmarish movie adaptation so... Read more... |
Barber Shop Chronicles, National Theatre at Home review - still lively after all these yearsFriday, 15 May 2020![]() Barber shops – as we are all starting to appreciate in this time of lockdown – fulfil an emotional as much as a cosmetic role: having a haircut can represent a new beginning, a moment for reflection, or even an informal confessional. As the hugely... Read more... |
Theatre Lockdown Special 5: A solo show for the ages, Ibsen refreshed, and yet more frolicsome catsThursday, 14 May 2020![]() No one can accuse the gods of streaming of failing to cast a wide net. That's even more so with an array of streaming opportunities over the next week that ranges from Off West End Ibsen given a second chance to shine to an online encounter with,... Read more... |
Midnight Your Time, Donmar Warehouse online review – intimate and quietly movingThursday, 14 May 2020![]() During lockdown, some of the best online theatre has been shows that are specially created for this digital format. Much better than dull records of dramas that might have worked well on stage, but now seem sadly moribund and exceedingly slow on the... Read more... |
Antony and Cleopatra, National Theatre at Home review – Fiennes and Okonedo triumph in dragging tragedyMonday, 11 May 2020![]() Like an asp eating its own tail, the National Theatre's 2018 production of Antony and Cleopatra, streaming on YouTube until 14 May, begins as it will end. Director Simon Godwin's first tableau is the play's finale: Cleopatra (Sophie Okonedo) lies in... Read more... |
Theatre Lockdown Special 4: Little-known Lloyd Webber, prize-winning Shakespeare, and starry David MametThursday, 07 May 2020![]() Has anyone else noticed how fulltime this streaming thing has become? Those who were of a mind to (and who never slept) could find enough cultural output to satisfy 24/7, especially if one adds to the free offerings that crop up by the week... Read more... |
Re:Creating Europe, MIF Rewind review - last year's burning issue semi-dramatizedMonday, 04 May 2020![]() Are we really past all this? From Ivo van Hove's 2019 polyphony of opinions and reflections down the centuries, so much has gone into the oven on a low heat while more Brits discover that "better together" in the European Union might be a better... Read more... |
Frankenstein, National Theatre at Home review – creature discomfortsSaturday, 02 May 2020![]() So far, it could be said that the National Theatre is having a good lockdown. Every week, this flagship streams one of its stock of NT Live films, which are always a welcome reminder of the range of its output over the past decade or so. This week... Read more... |
Theatre Lockdown Special 3: Mary Shelley twice over, Europe writ large, and one day more for a mega-musicalThursday, 30 April 2020![]() Time is moving in mysterious ways at the moment. It's been possible over the last month or so to mark out the beginning of each week with the arrival online of a different production streaming from the Hampstead Theatre archives. The National,... Read more... |
First Person: Sam Yates on directing a Tom Stoppard play in real time via ZoomThursday, 30 April 2020![]() I am fortunate to have worked as a director in theatre, film, television and radio, and so it was hugely intriguing to be invited to direct an online reading of Tom Stoppard’s beautiful 1964 play, A Separate Peace.Here was a new form which... Read more... |
