thu 11/09/2025

Theatre

Paradise, National Theatre review - war, woe, and a glimmer of hope

Philoctetes, Odysseus, Neoptolemus: the men’s names in Sophocles’ Philoctetes are all unnecessarily long and weighed down by expectations. Poet Kae Tempest’s lyrical new adaptation for the National Theatre focuses on the chorus, spinning out the...

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The Windsors: Endgame, Prince of Wales Theatre review - fitfully pointed fun

Opposite the playhouse where the sometimes-wild royal comedy The Windsors: Endgame has just opened is the Bubba Gump Shrimp Company seafood restaurant. The eatery is of course inspired by Robert Zemeckis's hit 1994 film Forrest Gump, ...

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Twelfth Night, Shakespeare's Globe review - foot-stompingly good fun

The best version of Twelfth Night I’ve seen is not called Twelfth Night. For sheer knockabout entertainment, nothing beats the 2006 film She’s the Man. But Sean Holmes’ production for the Globe’s summer season, brimming with song and physical comedy...

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Carousel, Regent's Park Open Air Theatre review - brave rewrite doesn't land

You've got to hand it to the Open Air Theatre in Regent's Park: this venue never simply dusts off a familiar musical title and plonks it onstage. Their commitment to reinvestigating the material, whatever it is, has done wonders for the...

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Big Big Sky, Hampstead Downstairs review - a perfectly realised character study

Get to Swiss Cottage early because Bob Bailey’s set for Tom Wells's new Hampstead Downstairs play Big Big Sky is a feast for the eyes. Angie’s cafe has the scrapey chairs, the tables you know will wobble a little if you get that one (and you...

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Anything Goes, Barbican review - an explosion of joy

"Times have changed", we're informed in the cascadingly witty title number of the Cole Porter musical Anything Goes, now in revival at the Barbican and bringing with it a pandemic-clearing tsunami of joy.Or have they? Few I am sure would dispute the...

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Changing Destiny, Young Vic review – an epic literary discovery

The Young Vic, led by the inspiring figure of Kwame Kwei-Armah, is back. After a prolonged closure, during which this venue has passionately continued to work with young directors, the local community (including both delivering food and creative...

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Bagdad Café, Old Vic review - sweet but scattershot

A gorgeous song exists in search of a show to match over at Bagdad Café, the 1987 film that gave the world the memorably plaintive "Calling You", which is threaded throughout Emma Rice's stage adaptation of the movie with understandable...

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Oleanna, Arts Theatre review - Mamet on power and tragedy

Before seeing this play, I decided to eat a steak. It seemed the right culinary equivalent to David Mamet, one of America’s most provocative and, at times, especially past times, red-blooded writers. This play, whose British premiere was at the...

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The Two Character Play, Hampstead Theatre review - tender, poetic and piercingly cruel

It’s the trivia question no one ever thought to ask: where was the only Tennessee Williams play premiered outside America first performed? The unlikely answer (so unlikely that even artistic director Roxana Silbert apparently didn’t know it until...

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Lava, Bush Theatre review - poetic writing, mesmerically performed

What’s in a name? In Benedict Lombe’s incendiary debut play at the Bush Theatre, the answer to this question encompasses a whole continent, an entire existential experience - the Black experience, to be exact - though not in the way that "roots...

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Hamlet, Windsor Theatre Royal review - the age is out of joint

So it wasn’t Cinderella but Hamlet who was first out of the post-lockdown starting blocks – Andrew Lloyd Webber’s much trumpeted musical premiere being foiled by a ping at the weekend. Instead the historic first curtain-up was 20 miles up the River...

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