thu 11/09/2025

Theatre

Shining City, Theatre Royal Stratford East review - occasional sluggishness alongside a true star turn

When Brendan Coyle, playing a modestly magnetic widower and sales rep called John in this revival of Conor McPherson's 2004 play Shining City, first appears on stage, he looks thoroughly bewildered. His eyes dart back and forth as he initially...

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The Last Five Years, Garrick Theatre review - bittersweet musical treat gets West End upgrade

Much has happened in the five years since your reviewer braved the steep rake at The Other Palace and saw The Last Five Years (not least my now getting its “Nobody needs to know” nod in Hamilton – worth a fistful of Tonys in prestige, I guess) so it...

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Blithe Spirit, Harold Pinter Theatre review - an amusing, if dated, revival of the Coward classic

We’re in an agreeable drawing room with an author, Charles Condomine, who is looking forward to having a bit of fun with a local spiritualist, Madame Arcati, whom he has invited over for an evening séance. But once a conversation with his wife, Ruth...

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Black British Musical Theatre 1900-1950, Wigmore Hall review – a disappointing missed opportunity

The Wigmore Hall is a bastion of white musicians playing the music of white composers to a largely white audience and it is to the credit of the management that, in seeking to diversify, it staged this lecture-recital on the history of black...

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Camp Siegfried, Old Vic review - the banality of evil, brilliantly served up

A stealthily powerful play gets the production of its dreams in Camp Siegfried, which marks a high-profile UK presence for the American writer Bess Wohl. A world premiere at the Old Vic, Wohl's two-hander shines a scary and pertinent light on a Nazi...

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The Lodger, Coronet Theatre review - underdeveloped family drama

The Coronet Theatre is a beautiful space – it’s a listed Victorian building, and the bar’s like something out of a film about Oscar Wilde. Unfortunately, Robert Holman’s The Lodger, a new play about family and trauma, doesn’t live up to its...

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Is God Is, Royal Court review – blister, flare and burn, baby, burn

God is a tricky one. Or should that be One? And definitely not a He. So when she says take revenge, then vengeance is definitely not only hers, but ours too. American playwright Aleshea Harris’s dazzlingly satirical 2018 extravaganza is about two...

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Indecent, Menier Chocolate Factory review - cabaret-style depiction of a rapidly changing world

Indecent is a play wrapped inside a news story about stigma. Playwright Paula Vogel was at Cornell University when she stumbled on a “yellowing copy of an out-of-print translation” of Sholem Asch’s God of Vengeance. Asch had been born into...

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First Person: theatre director Christopher Haydon on how the Rose Theatre, Kingston, can bloom anew

Programming a theatre during a pandemic has been like trying to nail jelly to a set of constantly moving goalposts. Government indecision meant that reopening dates shifted repeatedly while the configuration of our auditorium kept changing as we...

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The Memory of Water, Hampstead Theatre review – uneasy tragi-comedy

Memories are notoriously treacherous — this we know. I remember seeing Shelagh Stephenson’s contemporary classic at the Hampstead, when this venue was a prefab, and enjoying Terry Johnson’s racy staging, which starred Jane Booker, Hadyn Gwynne and...

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Frozen, Theatre Royal Drury Lane review - twinkling spectacle with a sincere drama at its heart

Let it snow! The Broadway musical adaptation of the Disney film behemoth Frozen premiered back in 2018 and now, following Covid delays, a rejigged version finally makes its home in the West End – to the delight of the army of miniature Elsas in...

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Leopards, Rose Theatre, Kingston review - a no-thrill thriller about sex and power

Is it a thriller? Is it a character study? Leopards, Alys Metcalf’s two-hander about a middle-aged white charity executive – male – and a young job applicant of mixed race – female – goes under the colours of both, but falls short of either genre.A...

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