thu 11/09/2025

Theatre

Best of Enemies, Young Vic review – fast-paced portrait of a clash between two titanic egos

No playwright has a scalpel as sharp as James Graham’s when it comes to dissecting politics; he has a brilliance and edge that strips away all unnecessary material till the beating heart of the matter is revealed. His latest tour de force takes the...

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Cabaret, The Kit Kat Club at the Playhouse Theatre review – polymorphous, prodigious

Has there ever been a Cabaret as dangerous as this one? Rebecca Frecknall’s disorienting take on the Kander and Ebb classic pulls you in and spits you out in a reinvention that pushes or dissolves boundaries at every twist and turn.Transforming a...

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Trouble in Mind, National Theatre review - race, rage and relevance

The National Theatre has a good record in staging classic American drama by black playwrights. James Baldwin's The Amen Corner, August Wilson's Ma Rainey's Black Bottom and Lorraine Hansberry’s Les Blancs have all had terrific new stagings. Now it’s...

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The Strange Undoing of Prudencia Hart, Royal Exchange, Manchester review - a spooky study in balladry

This is a story of an innocent who finds herself unexpectedly in a strange, unknown world. The same could be true for those in its audience.Scottish academia sets great store by the significance of folk tradition, and many are the books and papers...

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The Book of Dust, Bridge Theatre review – as much intelligence and provocation as fleet-footed fun

It’s been seventeen years since Nicholas Hytner first directed Philip Pullman’s His Dark Materials at the National Theatre, ambitiously whirling audiences into Pullman’s universe of daemons, damnable clerics and parallel worlds. Now he has...

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Measure for Measure, Sam Wanamaker Theatre review - this problem play is a delight

Measure for Measure may be the quintessential Shakespeare “problem” play, but just what has earned it that epithet remains a puzzle. Each generation approaches the matter from its own perspective. The developments of recent years, #MeToo most of all...

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Antony Sher: 'I discovered I could be other people'

The energy of Antony Sher, who has died at the age of 72, was prodigious. He not only acted like a fizzing firecracker. He wrote books about his most celebrated roles, and several novels set in his native South Africa. He also wrote plays, and he...

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Life of Pi, Wyndham's Theatre review - visually ravishing show uplifted by astonishing puppetry

When the Canadian Yann Martel went to India as a young adult backpacker he fell in love – not with one person but with the rich imaginative landscape opened up by its religions and its animals. A struggling writer at the time, he channelled this new...

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Stephen Sondheim in memoriam - he gave us more to see

It seemed impossible and yet, the other evening, while idly flicking through emails, I learned the unimaginable: Stephen Sondheim, age 91, had passed away. And very quickly by all accounts, given that he was reported to have enjoyed a Thanksgiving...

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The Good Life, Richmond Theatre review - popular sitcom gets its own origin story

"Off-grid" wasn't a thing in the mid-'70s. Sure, people planted a few potatoes in the garden and pottered about a bit in an allotment, but nobody went the whole hog. The rat race was certainly a thing though, a fertile seam for comedies like The...

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Four Quartets, Harold Pinter Theatre review - brilliant Fiennes breathes air and physicality into Eliot's work

Words flow like water in TS Eliot’s Four Quartets, shimmering with allusion, swirling and eddying with the ideas and fractured philosophies of a poet at the height of his powers. It’s fitting that he chose Heraclitus to supply the epigraph, the pre-...

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A Christmas Carol, The Old Vic review - not quite a festive-season cracker

Four years and a Broadway run on from its Old Vic debut, director Matthew Warchus and writer,Jack Thorne are still throwing everything they can at one of the most familiar stories, and characters, in English literature. That may be to address the...

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