mon 25/08/2025

Theatre

Beneatha's Place, Young Vic review - strongly felt, but uneven

Trauma is the source of identity politics. In the case of African-Americans, the experience of brutal slavery, exploitative colonialism and violent racism are defining experiences in their history.Although many recent black dramas have contested...

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Modest, Kiln Theatre review - tale of Victorian would-be trailblazer fails and succeeds

Whether you believe that Ellen Brammar’s play, Modest, newly arrived in London from Hull Truck Theatre, succeeds or not, rather depends on your criteria for evaluating theatre. On storytelling, character development and nuance, it is two and a half...

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Crazy For You, Gillian Lynne Theatre review - high-kicking heaven

Who says you can't go home again? As proof that you can, and to giddy and gorgeous results, along comes the current West End revival of Crazy for You, which reunites Broadway name Susan Stroman with the Gershwin-inspired title that launched this...

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When Winston Went to War with the Wireless, Donmar Warehouse review - lively, but messy

Can things change, or must they always stay the same? The latest history play by Jack Thorne, a man of the moment whose Harry Potter and the Cursed Child is still in the West End and whose National Theatre hit The Motive and the Cue will transfer in...

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A Playlist for the Revolution, Bush Theatre review - idealism meets reality head-on

The revolution in the title of AJ Yi’s new play at the Bush is the one activists hoped to set in motion in Hong Kong in 2019, when China’s stewardship was increasingly restricting their civil liberties. The music on the playlist serves as an...

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The Swell, Orange Tree Theatre review - mind-bending romantic drama

There are some songs, and singers, that make your heart swell. One of them, for me, is Ani DiFranco’s 1998 single “Little Plastic Castle”, so I was delighted to see that Isley Lynn, in the playtext of her new show at the Orange Tree Theatre, has...

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Song from Far Away, Hampstead Theatre review - gentle monologue from a man grappling with grief

Lucky Will Young: the production of the Simon Stephens monologue Song from Far Away that he is delivering at the Hampstead Theatre is directed by Kirk Jameson, not Ivo van Hove.The modish Dutch director of the initial UK staging, seen at the Young...

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A Strange Loop, Barbican review - Black queer musical with confusing concept but an excellent lead

If you are going to see A Strange Loop, the new American musical trailing a Tony Award and a Pulitzer Prize that has arrived at the Barbican, here’s a checklist of topics to make sure you are on top of first: intersectionality, Harriet Tubman,...

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Theatre at Glastonbury Festival 2023 - so big and wild a hallucination, you're always left wanting more

And that’s it again for another year. Oh Glastonbury. A fever dream where the time of reality stops as you hop on a ride to a land of magic.Yes, it might be celebrated for its musical marvels (Elton John, surely, the set of 2023 that will make the...

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Stumped, Hampstead Theatre review - Beckett and Pinter, waiting for Doggo

Much of cricket comprises waiting – you wait on the boundary to hear news of the toss, you wait your turn to bat, you heed the call of your batting partner to wait to see if a run is on, you wait for the rain to stop. A friend once told me that he...

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Robin Hood. The Legend. Re-written, Regent's Park Open Air Theatre review - no bullseye for new take on familiar characters

After the pantos, the movies (epic, camp and animated) and the television series, is there anything new to be mined in the story of Robin Hood? Probably not, as this messy, misjudged show takes that hope and fires an arrow through its heart.We’re in...

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The Pillowman, Duke of York’s Theatre review - starry but slack

British theatre is getting a bit timid – is that right? Ahead of the opening of this revival of Martin McDonagh’s unforgettable 2003 masterpiece, The Pillowman, its director Matthew Dunster has spoken of the tendency of playwrights and theatres...

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