Theatre
The Interview, Park Theatre review - Martin Bashir's comeuppanceSaturday, 04 November 2023
Journalism is a despised profession. And when you consider the story behind the interview that Diana, Princess of Wales, gave to BBC journo Martin Bashir in 1995 you can see why. As anyone who follows current affairs knows, it has been revealed that... Read more... |
FLIP!, Summerhall Edinburgh review - sassy, satirical parableFriday, 03 November 2023
You can almost feel the energy blazing off the stage in this fast, furious and fiercely funny two-hander from writer Racheal Ofori and Newcastle-based Alphabetti Theatre. Don’t blink or you’ll miss a crucial plot twist, or a nifty swerve into new... Read more... |
King Lear, Wyndham's Theatre review - Kenneth Branagh helms a pared-down tragedyWednesday, 01 November 2023
Few would have imagined that Kenneth Branagh’s return to the West End would see him garbed in fur-lined, prehistoric clothes. But this is how he takes on the gargantuan role of King Lear, in a compact, fast-paced production of Shakespeare’s great... Read more... |
1984, Hackney Town Hall review - Room 101 shapeshifts into 2023, but remains as terrifyingly plausible as everTuesday, 31 October 2023
The day after I saw the show, as went about the mundanities of domestic life, I wondered how long it would take to come across a reference to 1984. My best bet was listening to an LBC phone-in concerning next week’s conference at Bletchley Park on... Read more... |
Trueman and the Arsonists, Roundhouse Studio review - new warnings in old lessonsTuesday, 31 October 2023
A dystopian present. Sirens ring out across the city. Firefighters rush to the wrong locations. A man insists on entry to a big house. He’s not selling anything, so he can’t be an arsonist can he? His friend turns up and she’s pretty upfront about... Read more... |
Boy Parts, Soho Theatre review - not subversive enoughSaturday, 28 October 2023
We’ve all heard of the male gaze, but what about its subversion? Overturning masculine dominance is one of the themes of Boy Parts, the acclaimed debut novel by Eliza Clark, first published in 2020 and now adapted as a monologue for the stage by... Read more... |
Manic Street Creature, Southwark Playhouse review - songs in the key of a traumatised lifeFriday, 27 October 2023
There’s an old-fashioned feel to the story at its outset: Young woman, guitar in hand, Northern accent announcing as much as it always did, who makes a new life in London, all the money going on a room in Camden. One recalls Georgy Girl or Darling,... Read more... |
Clyde's, Donmar Warehouse review - high-octane comedy with a soft-centreThursday, 26 October 2023
Lynn Nottage’s second London opening this year, the Donmar premiere of Clyde’s, is a comedy about a sandwich, the perfect sandwich. With just a little more punch to the plotting it would be another masterwork from this award-winning American... Read more... |
Lyonesse, Harold Pinter Theatre review - a step backwards for #MeTooThursday, 26 October 2023
Penelope Skinner’s new play is one of the most eccentric things I’ve seen in a long time. It’s undoubtedly entertaining, with an engagingly bonkers attempt by Kristin Scott Thomas to navigate an almost impossible role, perched between victim,... Read more... |
The Confessions, National Theatre review - rich mix of the personal and the epicWednesday, 25 October 2023
How to describe Alexander Zeldin’s latest, The Confessions? It is almost a kitchen-sink drama, but also a picaresque trawl through the life of an Australian woman that’s verging on epic, spanning most of her 80 years. And it’s stirring stuff,... Read more... |
Dear England, Prince Edward Theatre review - still a winner in its new West End homeSaturday, 21 October 2023
It was interesting, in the same week that the England football team trounced Italy 3-1 in a Euros qualifier, to see Dear England again, the National Theatre smash that has just embarked on a West End run at the Prince Edward Theatre.One of the three... Read more... |
Portia Coughlan, Almeida Theatre review - atmospheric revival of Marina Carr's bleak 1996 dramaFriday, 20 October 2023
In 1994, the National Maternity Hospital in Dublin commissioned Marina Carr to write a play to celebrate its centenary. She walked the wards, met the new mothers, and wrote in a hospital study.Who knows what the commissioners were expecting, maybe... Read more... |
