Theatre
Sweeney Todd, Harrington's Pie and Mash Shop, Shaftesbury AvenueMonday, 23 March 2015
Stephen Sondheim's ever-elastic masterpiece is downsized to largely dazzling effect in its latest iteration, which has been transferred intact to a Shaftesbury Avenue pop-up after premiering last autumn within the surrounds of an actual pie-and-mash... Read more... |
Trainspotting, King’s Head TheatreSunday, 22 March 2015
Hey, it’s the 1990s – yet again. After high-profile revivals of contemporary classics, such as Patrick Marber’s Closer and Kevin Elyot’s My Night with Reg, here comes, from that edgy decade, a fringe version of the iconic story of Leith heroin... Read more... |
The Father, Trafalgar StudiosFriday, 20 March 2015
This 1887 domestic drama by August Strindberg is rarely seen in London, and Abbey Wright’s new production of Laurie Slade’s new version might have seized the opportunity to give this gristly chunk of pre-Freudian sexual polemic a thorough 21st-... Read more... |
Buyer & Cellar, Menier Chocolate FactoryFriday, 20 March 2015
This is, stresses our guide, a work of pure (read: non-libellous) fiction, except that its “preposterous” premise is rooted in even more preposterous truth. In 2010, diva extraordinaire Barbra Streisand produced wildly narcissistic coffee-table book... Read more... |
The Broken Heart, Sam Wanamaker PlayhouseThursday, 19 March 2015
Jacobean playwright John Ford is flavour of the season at the Sam Wanamaker Playhouse. His better-known, and simply better, ‘Tis Pity She’s a Whore, opened the venue’s new programme last autumn and is followed now by that work’s younger sibling, The... Read more... |
10 Questions for Playwright Richard NelsonWednesday, 18 March 2015
Richard Nelson (b. 1950) is a leading figure in American theatre but also a consistent documentarian of his country’s liberal consciousness. His series of plays about the Apple Family, written between 2010 and 2013, have been critically acclaimed... Read more... |
The Cutting of the Cloth, Southwark PlayhouseWednesday, 18 March 2015
Nowadays, playwrights do their apprenticeships at university, studying drama. But, once upon a time, they had proper jobs before they started making theatre. Such is the case of the late Michael Hastings, who died in 2011 and whose most famous piece... Read more... |
Stevie, Hampstead TheatreMonday, 16 March 2015
Writing about writers: exploring what you know, or the very definition of stifling egoism? Either way, it can be a terrible trap for the playwright, with craft becoming not just the subject of a work, but its defining feature. Hugh Whitemore... Read more... |
Play Mas, Orange Tree TheatreSaturday, 14 March 2015
Mustapha Matura's 1974 play is a celebration of liberation, both social and political, and a sly warning about the possible pitfalls of sudden freedom. Mas (or Masquerade) is the Trinidadian version of Carnival, an exotic mixture of Christian and... Read more... |
Radiant Vermin, Soho TheatreThursday, 12 March 2015
As their career progresses, playwrights face a real problem: should they please their fans by writing the same play, over and over again, or should they risk trying out new things? Polymath Philip Ridley has built up a corpus of East End gothic... Read more... |
Charlie's Dark Angel, Drayton Arms TheatreSunday, 08 March 2015
The critic James Christopher describes his first stage play as a black comedy, and the opening few moments set out the noir element efficiently enough, if not with any discernable humour. Charlie (Ben Porter) has inherited an old Suffolk farmhouse... Read more... |
The Armour, The Langham HotelSaturday, 07 March 2015
The Langham has marked its 150th anniversary in theatrical fashion by commissioning an original drama spanning several decades – and floors – from emerging company Defibrillator, whose Tennessee Williams trio at this venue impressed last year. Now... Read more... |
