thu 21/08/2025

Theatre

Grud, Hampstead Theatre review - sparky investigation of a geeky friendship

Sarah Power, the writer of Grud, now in the Hampstead’s smaller space, is a self-confessed geek who excelled at science at school. She also had an alcoholic parent, and both autobiographical strands have turned up trumps in this, the...

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Skeleton Crew, Donmar Warehouse review - slow burn that satisfyingly catches fire

For a long stretch of its first half, Dominique Morrisseau’s 2016 award-winner, Skeleton Crew, seems a conventional workplace drama, though in a much gentler key than Lynn Nottage’s Sweat. But this slow burn catches fire.The first sign that...

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Next to Normal, Wyndham's Theatre review - rock musical on the trauma of mental illness

We open on one of those suburban American families we know so well from Eighties and Nineties sitcoms - they’re not quite Homer, Marge, Bart, Lisa and Maggie, but they’re not far off. As usual, we wonder how Americans have so much space, such big...

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Mnemonic, Olivier Theatre review - thanks for the memories

I’m sitting in the Olivier waiting for the show to start, comfortable in the knowledge that I’ve seen the original production of Mnemonic, one of Complicité’s most lauded plays, in 1999; but I struggle to remember anything about it, the...

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Starlight Express, Troubadour Wembley Park Theatre review - freight is kinda great

The reinvigoration of Andrew Lloyd Webber continues apace. New York is now hosting a ballroom culture, drag-inflected Cats, and the Olivier-laureled Sunset Boulevard, a breakaway hit last year on the West End, hits Broadway in the autumn.And here is...

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The Marilyn Conspiracy, Park Theatre review - intriguing murder mystery

The death of Marilyn Monroe is a wet dream for conspiracy theorists. Like the assassination of JFK in the following year there is plenty of material in the official accounts that doesn’t quite make sense – which opens the door to free-form...

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Mean Girls, Savoy Theatre review - standout performances save a thin score

Nothing anybody over the age of 30 says about the new Mean Girls musical, spawn of Tina Fey’s witty script for the 2004 screen sideswipe of that name, will make any difference. As with all things Barbie, the pink madness seems deathless. Fey’s...

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The Secret Garden, Regent's Park Open Air Theatre review - adaptation more edifying than beguiling

It's a bold move by Regent's Park Open Air Theatre to tackle Frances Hodgson Burnett's children's classic, a story that's been notably adapted into films that pile on the visual beauty of its magical settings. This enterprising venue may be...

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My Father's Fable, Bush Theatre review - hilarious and haunting family drama

Following the huge success of Benedict Lombe’s Shifters, which transfers soon to the West End, the Bush Theatre is riding high. Now this venue’s latest exploration of the Black-British experience tells a really lively and emotionally deep story...

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The Bounds, Royal Court review - soccer play scores badly

Every day this week I’m watching a football match, and now – after April’s production of Lydia Higman, Julia Grogan and Rachel Lemon’s Gunter – comes another football stage drama to tear up the turf at the Royal Court’s Theatre Upstairs.This time it...

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Kiss Me, Kate, Barbican review - an entertaining, high-octane Cole Porter revival

Lincoln Center’s Bartlett Sher is back in town to direct the Barbican’s latest summer blockbuster, Cole Porter’s classic Kiss Me, Kate. It’s an energetic, largely intelligent production of what is at base a screwball comedy with great songs. ...

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The Taming of the Shrew, Shakespeare's Globe review - riotous comedy jars with the bitter pill of the production's message

A recent Crime Survey for England and Wales estimated that 2.1 million people in the UK had been victims of domestic abuse in the year ending March 2023. So it makes sense that director Jude Christian has addressed this tricky, troubling Shakespeare...

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