Theatre
Ma Rainey's Black Bottom, National TheatreWednesday, 03 February 2016
"One... Two... You know what to do": that coolly delivered rehearsal intro from a trombonist called Cutler (Clint Dyer) could serve as a synoptic appraisal of the simply overwhelming National Theatre revival of Ma Rainey's Black Bottom. The play in... Read more... |
Red Velvet, Garrick TheatreWednesday, 03 February 2016
Lolita Chakrabarti’s impassioned debut has only gained topicality since its 2012 Tricycle incarnation. Trevor Nunn’s all-white Wars of the Roses and #OscarsSoWhite, among others, have fanned its flames, while quips about a paranoid Russian regime... Read more... |
Jeepers Creepers, Leicester Square TheatreMonday, 01 February 2016
You might think that the combination of a play about one of the funniest comics of the second half of the 20th century, written by his biographer and directed by a member of Monty Python would be a winning one. But sadly Robert Ross's Jeepers... Read more... |
The police stopped 'To be or not to be' and asked to see our permitsSaturday, 30 January 2016
Za’atari set a precedent. Our performance in the Syrian refugee camp in Jordan became a template for how to perform Hamlet in every nation in the world – in a world that rendered travel to Syria, Yemen, Libya and Central African Republic out of the... Read more... |
Escaped Alone, Royal Court TheatreFriday, 29 January 2016
Caryl Churchill is a phenomenon. Now 77 years old, she remains not only prolific but also immensely inventive, having notched up more than 35 original plays, many of which have been innovative in form and imaginative in content. Added to this, she... Read more... |
The Mother, Tricycle TheatreWednesday, 27 January 2016
Anne longs for her 23-year-old son Nicholas to return home. One night, he appears. Or does he? Welcome back to the queasily elliptical world of Florian Zeller, where certainty fractures as familiar elements are repeated, dissected, made strange and... Read more... |
Pink Mist, Bush TheatreWednesday, 27 January 2016
The war in Afghanistan has not exactly been neglected by contemporary British theatre, and the plight of returned soldiers is a standard trope of new writing. These distant wars function in our culture like worse-case scenarios, an excoriating... Read more... |
Yen, Royal Court TheatreTuesday, 26 January 2016
Feral kids are a media stereotype, but they make good strong subjects for drama. In Anna Jordan’s new play, which was first seen at the Manchester Royal Exchange last year after winning the Bruntwood Prize for Playwriting in 2013, we are introduced... Read more... |
Herons, Lyric HammersmithFriday, 22 January 2016
Be careful what you wish for. I’ve often moaned about the fact that British theatre is too naturalistic, and that its stagings are too banal, full of quotidian detail and a specific sense of place, but strangers to the wildness of the imagination.... Read more... |
The Rolling Stone, Orange Tree TheatreThursday, 21 January 2016
I’m still pondering the title of Chris Urch’s new play. On the surface it’s clear enough: The Rolling Stone is a weekly newspaper in Uganda that has been notorious for pursuing that country’s anti-gay agenda. In particular, at the beginning of the... Read more... |
The Weir, Royal Lyceum Theatre, EdinburghThursday, 21 January 2016
Since its unveiling at London’s Royal Court in 1997, Conor McPherson’s The Weir has become something of a modern classic, notching up dozens of productions worldwide and even winning inclusion in the National Theatre’s list of the 100 most... Read more... |
4000 Days, Park TheatreWednesday, 20 January 2016
It is a nightmare scenario: you have an accident that leaves you comatose. You are out of action in hospital for three weeks and then, when you wake up, you gradually realise that you don’t remember anything of the past 10 years. Not three weeks,... Read more... |
