Theatre
Twelfth Night, French Protestant Church, SohoFriday, 25 March 2016
This is set in “a world midway between Elizabethan pageant and haute-couture catwalk”, a programme note for Scena Mundi's production says, and the initial signs certainly point to that. The aisle of the glorious Grade I-listed French Protestant... Read more... |
Raz, Trafalgar StudiosFriday, 25 March 2016
Recently, I’ve been meeting some pretty hyper people in the theatre. Fictional people. On stage. Lots of hyper women; lots of hyper agonised women. And men. Hypercative kids; hyped-up teens; hyper-Alpha adults. A lot of these encounters have been... Read more... |
People, Places & Things, Wyndham's TheatreThursday, 24 March 2016
Recovery depends on honesty, but Emma – not her real name – lies for a living. Duncan Macmillan’s searing play, getting a well-deserved West End transfer from the National, complicates the familiar story of addiction and rehab by making its... Read more... |
The Painkiller, Garrick TheatreFriday, 18 March 2016
The fourth production in Branagh’s Garrick season is the revival of an odd-couple romp he brought to the Lyric, Belfast in 2011. Sean Foley (best known for his superlative Branagh-directed Morecambe and Wise tribute The Play What I Wrote) adapts and... Read more... |
10 Questions for Artist Marc ReesFriday, 18 March 2016
Marc Rees (b 1966) is an interdisciplinary artist-performer from Wales whose works are renowned for imaginitively mixing media, as well as for their underlying sense of fun. Over the years he has been based in Berlin, Amsterdam and Canada, and now... Read more... |
If You Kiss Me, Kiss Me, Young VicThursday, 17 March 2016
It’s easier to say what Jane Horrocks’s new musical dance-drama isn’t that what it is. Horrocks makes a short speech at the beginning and the end about the mysteries of love, as depicted in her selection of Mancunian heartbreakers from Gang of Four... Read more... |
The Truth, Menier Chocolate FactoryThursday, 17 March 2016
Infidelity, hypocrisy, disillusionment, betrayal – and yet this is by far the lightest of French playwright Florian Zeller’s current London hat trick. Premiering in 2011, and thus sandwiched chronologically between the bleak pair of The Mother (2010... Read more... |
Miss Atomic Bomb, St James TheatreWednesday, 16 March 2016
As settings for musical comedy go, this one promised some boom for your buck. Las Vegas in the early 1950s was just emerging as a magnet not only for hedonists and gamblers, mobsters and showgirls, but also for the personnel of America’s Atomic... Read more... |
The Destroyed Room, Traverse Theatre, EdinburghFriday, 11 March 2016
Seldom can the suggestion of a post-show discussion have seemed so… well, unappealing is probably the polite way of putting it. Because discussion is precisely what Glasgow-based theatre company Vanishing Point’s devastating new show The Destroyed... Read more... |
Cosy, Wales Millennium CentreThursday, 10 March 2016
Kaite O’Reilly’s new play is a dark dark comedy, a Chekhovian family saga on a mainly bare stage that handles its subjects of aging, death and family with a rich and grounded intellectualism to be expected of the playwright’s work. The production... Read more... |
Motown the Musical, Shaftesbury TheatreWednesday, 09 March 2016
Shorter feels longer in the West End iteration of Motown the Musical, a minor-league jukebox venture that became a Broadway hit courtesy of an unbeatable back catalogue – keep those hits coming! – and a well-drilled production that at least... Read more... |
German Skerries, Orange Tree TheatreTuesday, 08 March 2016
Birdwatching is not the most thrilling subject for a drama. In fact, next to watching paint dry, it is probably the poorer option. So there is something wonderfully clever and theatrically brilliant about Robert Holman’s 1977 play, which takes place... Read more... |
