sat 20/09/2025

Theatre

Fool for Love, Found111

Who is the fool in Sam Shepard’s 1983 chamber play Fool for Love? Is it Eddie, the rodeo stuntman who repeatedly cheats on his girl? Is it May, the girl who keeps taking him back? Or is it the Old Man, whose philosophy of rolling-stone fatherhood...

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Side Show, Southwark Playhouse

Composer Henry Krieger’s highly anticipated Dreamgirls arrives later this month, but first up is the UK premiere of his less well-known but thoroughly likeable Side Show, based on the real story of a pair of conjoined twins who became 1930s American...

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The Nest, Young Vic

Do we see enough in the UK of continental European drama in translation? No. Is what we actually get the best? Probably not in the case of popular German playwright Franz Xaver Kroetz's The Nest. Still, it's rendered into pithy, convincing...

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'I am dismayed by the tone of the debate'

There is nothing more depressing than seeing people you like and admire lining up on opposing sides. Emma Rice’s parting from the Globe has resulted in some unedifying comment, often based more on prejudice than fact. I see value in the arguments of...

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The Intelligent Homosexual's Guide to Capitalism and Socialism with a Key to the Scriptures, Hampstead Theatre

So many words, starting with the title - we're told we can call it iHo - and so many lines spoken by anything up to nine characters at once. But as this is the unique world of Tony Kushner, it's all matter from the heart, balancing big ideas and...

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Amadeus, National Theatre

Populist playwright Peter Shaffer, who died in June, gets a rapid honour from this flagship venue, which – aptly enough – is putting on his most popular play. So popular in fact that it has already sold out and is therefore critic-proof. Directed by...

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Howard Davies: An Appreciation

Howard Davies, the theatre director who has died at the too-early age of 71, may not have achieved the renown of many of his colleagues. He didn’t direct blockbuster musicals, rarely ventured into TV and film, and didn’t possess the signature style...

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10 Questions for Director Lucy Bailey

Theatre was not Lucy Bailey’s first target. At school she was a flautist, headed probably for music. Then, in her gap year, she took a job as a telephonist at Glyndebourne, and noticed a vigorous man with a beard – name of Peter Hall – moving people...

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Harrogate, Royal Court Theatre

What’s incest got to do with a town in North Yorkshire? At first this seems a reasonable question to ask of Al Smith’s brilliantly written, if a little bit tricksy, play, which begins somewhere nearer to Guilford than to Leeds. The central character...

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Harriet Walter on Brutus and Other Heroines

A part we have played is like a person we once met, grew to know, became intimately enmeshed with and finally moved away from. Some of these characters remain friends, others are like ex-lovers with whom we no longer have anything in common. All of...

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A Pacifist's Guide to the War on Cancer, National Theatre

Some have responded to the very notion of a musical about cancer as if the idea itself were breaking some unwritten code of what is permissible to put on stage – which seems a bit rich given that the same genre has accommodated pieces about AIDS (...

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Half a century of the Roundhouse

We've got a lot to celebrate in 2016: 50 years since the Roundhouse became an arts centre and 10 years of transforming young lives through creativity. In celebration of this momentous year we embarked on a journey of discovery to uncover the stories...

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