Theatre
Christopher Shinn: 'I did not know if I would be alive and someone wanted me to write a play'Monday, 14 August 2017
Plays do not usually come into being in isolation. When I search my gmail archive I see that my first communication with Robert Icke about a commission came in April 2012. Rupert Goold and Rob were still at Headlong then. I was busy so asked that we... Read more... |
Edinburgh Festival 2017 review: The DivideSunday, 13 August 2017
A society that segregates men and women, prescribes what women can learn, read, wear, even which words they can say. A society willing to sacrifice its own people to maintain its repressive theocratic orthodoxy. Sound familiar?There are plenty of... Read more... |
Proms 34 & 35 review: Oklahoma!, John Wilson Orchestra - music triumphs, words and drama sufferSaturday, 12 August 2017
Only one thing could equal the "wow!" factor of seeing and hearing a youngish Hugh Jackman launch into “Oh, What a Beautiful Mornin’“ at the start of the National Theatre’s 1998 staging of Oklahoma!: John Wilson and his orchestra trilling and... Read more... |
Edinburgh Fringe 2017 reviews: Adam / Eve / NassimThursday, 10 August 2017
Eve ★★★★Transgender issues are high on the agenda at this year’s Fringe, with the energetic Testosterone at the Pleasance and the breezy You’ve Changed from Northern Stage at Summerhall among the stand-outs. In addition, the National Theatre of... Read more... |
Edinburgh Festival 2017 reviews: Rhinoceros / FlightWednesday, 09 August 2017
Rhinoceros ★★★★★Marketed by an image of a Trump-quiffed and -besuited pachyderm, Zinnie Harris’s new version of Ionesco’s absurdist 1959 comedy is one of the International Festival flagship shows for 2017, a collaboration between Edinburgh’s... Read more... |
h.Club 100 Awards: Theatre and Performance - is this a new golden age for the stage?Tuesday, 08 August 2017
Could we be inhabiting a new golden age of theatre? It sometimes seems that way, not least in the blurring of boundaries that increasingly is the norm. Few might have guessed, for instance, that the author of the hottest play in years – Jack Thorne... Read more... |
Apologia, Trafalgar Studios review – Stockard Channing shines bright as a 1960s radicalFriday, 04 August 2017
The 1960s were “hilarious”, says one young character in this revival, starring Broadway icon Stockard Channing, of Alexi Kaye Campbell’s 2009 family drama at the Trafalgar Studios. How so? “Oh you know, the clothes, the hair, the raging idealism.”... Read more... |
Coming Clean, King's Head Theatre / Twilight Song, Park Theatre reviews - gay-themed first and last plays falterTuesday, 01 August 2017
Like his smash-hit My Night With Reg, Kevin Elyot's first and last plays have a role to play in the history of gay theatre, but do they work? Emphatically not in the case of Twilight Song (★★), completed – one is tempted to say, sketched – shortly... Read more... |
When Sam Shepard was a LondonerMonday, 31 July 2017
Sam Shepard came to live in London in 1971, nursing ambitions to be a rock musician. When he went home three years later, he was soon to be found on the drumstool of Bob Dylan's Rolling Thunder tour. But in between, not long after he arrived in... Read more... |
Road, Royal Court review - poetry amidst the painMonday, 31 July 2017
Who'd have guessed that the London theatre scene at present would be so devoted to the numinous? Hard on the heels of Girl from the North Country, which locates moments of transcendence in hard-scrabble Depression-era lives, along comes John Tiffany... Read more... |
The Secret Diary of Adrian Mole Aged 13 ¾, Menier Chocolate Factory review – more than feel-good summer funFriday, 28 July 2017
Back in Margaret Thatcher’s middle England, teenagers got by somehow. Without recourse to wands or Ballardian games of extinction, we survived adolescence with the help of a story full of people we knew. People (a bit) like us. Every year I re-read... Read more... |
Mosquitoes, National Theatre review - Olivias Colman and Williams dazzle amid dramatic excessThursday, 27 July 2017
There's enough plot for a dozen plays buzzing its way through Mosquitoes, Lucy Kirkwood's play that uses the backdrop of the Large Hadron Collidor (LHC) to chronicle the multiple collisions within a family. Veering off now and then into discussion... Read more... |
