Film
All You Need Is Death review - a future folk horror classicFriday, 19 April 2024![]() Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who search for long-unheard songs crave a certain melody that works a terrible magic on the living. In this... Read more... |
If Only I Could Hibernate review - kids in grinding poverty in UlaanbaatarThursday, 18 April 2024![]() Teenage Ulzii (Battsooj Uurtsaikh in an elegantly restrained performance) is looking after his little sister and brother in Ulaanbaatar after their illiterate mother has returned to the countryside to look for work. They’ve run out of coal and wood... Read more... |
The Book of Clarence review - larky jaunt through biblical epic territoryThursday, 18 April 2024![]() The Book of Clarence comes lumbered with the charge of being the new Life of Brian, an irreverent spoof of the life of Christ destined to ruffle good Christians’ feathers. It turns out not to be the “new” anything, though: it’s refreshingly sui... Read more... |
Back to Black review - rock biopic with a loving but soft touchFriday, 12 April 2024![]() Sam Taylor-Johnson has fashioned her biopic of Amy Winehouse with great care and affection, but sometimes, as she shows her subject discovering, love isn’t quite enough. The superb jazz-inflected singer from north London, who in 2011 joined the... Read more... |
Civil War review - God help AmericaFriday, 12 April 2024![]() Alex Garland’s fourth movie as writer/director is a chilling glimpse of an American dystopia, fortuitously timed for the run-up to the forthcoming US elections. However, it steers fastidiously clear of drawing any obvious Trump vs Biden parallels,... Read more... |
The Teachers' Lounge - teacher-pupil relationships under the microscopeFriday, 12 April 2024![]() The Teachers’ Lounge should really have been translated into English as The Staffroom, but that’s a minor gripe. Focussing on a class of 11-year-olds in a German secondary school, İlker Çatak’s Oscar-nominated feature shows school life as a... Read more... |
Blu-ray: Happy End (Šťastný konec)Tuesday, 09 April 2024![]() Happy End’s big draw is its central conceit, that of a convicted murderer narrating his life story backwards from the guillotine to the cradle. Made in 1967 by Oldfřich Lipský (1924-1986), renowned as a director of off-beat comedies, you wonder how... Read more... |
Evil Does Not Exist review - Ryusuke Hamaguchi's nuanced follow-up to 'Drive My Car'Saturday, 06 April 2024![]() While Ryusuke Hamaguchi’s Evil Does Not Exist doesn’t cast a spell as strongly as his Oscar-winning hit Drive My Car, it is a thought-provoking film well worth seeing for anyone with an interest in ecology or a penchant for... Read more... |
Io Capitano review - gripping odyssey from Senegal to ItalyFriday, 05 April 2024![]() Io Capitano works on several levels. At first glance, it’s a ripping yarn – two optimistic Senegalese teenagers embark on a dangerous journey, across the Sahara, through the hell of Libya and on to an overcrowded boat across the Mediterranean... Read more... |
The Trouble with Jessica review - the London housing market wreaks havoc on a group of friendsFriday, 05 April 2024![]() Before moving house, Sarah (Shirley Henderson) and Tom (Alan Tudyk) are throwing a final dinner for their best and oldest friends. Sarah wants it to be special. It turns out to be very special. Disastrous, in fact.Director Matt Winn’s black comedy... Read more... |
Silver Haze review - daughters of Albion dealing with damageMonday, 01 April 2024![]() In a Dagenham hospital, Silver Haze’s compassionate nurse Franky, played by Vicky Knight, meets Florence (Esmé Creed-Miles), who’s been admitted as a patient for having attempted suicide. After Franky dumps her boyfriend, the two women begin a... Read more... |
Mothers' Instinct review - 'Mad Women'Sunday, 31 March 2024![]() This is a Nineties psycho thriller in Mad Men clothes, undermining its Sixties suburban gloss and Anne Hathaway and Jessica Chastain’s desperate housewives with genre clichés, yet sustained by the courage of debuting director Benoît Delhomme’s un-... Read more... |
