Film
Things Will Be Different review - lost in the pastSunday, 06 October 2024![]() Time-travel is a trap in debutante Michael Felker’s tender sf two-hander, whose title’s grim irony becomes gradually apparent.There’s golden American promise in the sun and shadow of the diner where Joseph (Adam David Thompson) meets sister Sidney (... Read more... |
Joker: Folie à Deux review - supervillainy laid lowFriday, 04 October 2024![]() “Psychopaths sell like hotcakes,” William Holden observed in Sunset Boulevard in 1950, and those individuals have been doing good business for Hollywood before and since.We root for them and we don’t root for them at the same time, which is perhaps... Read more... |
The Battle for Lakipia review - why post-colonial Kenya is a land of uneaseFriday, 04 October 2024![]() The Battle for Lakipia is a beautifully filmed and thoughtfully directed documentary that was made over a two-year period. Its focus is the conflicting claim to Kenyan land made by white ranch owners of English descent and the indigenous pastoralist... Read more... |
The Old Man and the Land review - dark secrets of a farming familyThursday, 03 October 2024![]() The Old Man and the Land depicts a worn-out sheep farmer going about his dreary business as the seasons pass, darkly and dankly. He does it because he’s always done it, and because he doesn’t trust his 42-year-old daughter, Laura, despite her... Read more... |
Megalopolis review - magic from cinema's dawnMonday, 30 September 2024![]() “What happens if you’ve overstepped your mandate?” aristocrat-architect Cesar Catalin (Adam Driver) is asked. “I’ll apologise,” he smirks. Francis Ford Coppola’s forty years in the making, self-financed epic is studded with such self-implicating... Read more... |
The Teacher review - tense West Bank dramaSaturday, 28 September 2024![]() It’s hard not to review the Israeli occupation of Palestine when writing about The Teacher. The political context of this first feature by British-Palestinian director Farah Nabulsi, who also wrote the screenplay, is so thoroughly appalling that it... Read more... |
The Outrun review - Saoirse Ronan is astonishing as an alcoholic fighting for recoveryFriday, 27 September 2024![]() In 2016, Amy Liptrot made a fine publishing debut with a memoir about her alcoholism, The Outrun. Now she has co-written a film based on her book that is a significant achievement in its own right. It’s also the promising debut of Saoirse Ronan and... Read more... |
Blu-ray: IkiruTuesday, 24 September 2024![]() Akira Kurosawa’s Ikiru (To Live) begins with an X-ray photo of the central character’s cancer-ridden stomach, a man described by the narrator (an uncredited Kurosawa) as someone “drifting through life… we can’t say that he is really alive at all…”.... Read more... |
Blu-ray: CrumbSunday, 22 September 2024![]() Robert Crumb puts America’s racist, misogynist Id on paper with self-implicating obsession. Terry Zwigoff’s 1995 documentary on the underground cartoonist and his even further out family is reissued as the channels for such purging, pungent art have... Read more... |
The law's sick voyeurism - director Cédric Kahn on 'The Goldman Case'Saturday, 21 September 2024![]() The trial of the left-wing intellectual Pierre Goldman, who was charged in April 1970 with four armed robberies, one of which led to the death of two pharmacists, was known as “The Trial of the Century” – even though the century wasn’t over yet, as... Read more... |
Notes from Sheepland review - her farm is her canvasFriday, 20 September 2024![]() Orla Barry laughed when she was advised to take up sheep farming, and not just because she had no experience. “Orla with the sheep eyes,” she calls herself and, indeed, in a stylized self-portrait, she does seem to have the placid, watchful gaze of... Read more... |
The Substance review - Demi Moore as an ageing Hollywood celeb with body issuesFriday, 20 September 2024![]() If you like a body-horror movie to retain a semblance of logic in its plot line, then The Substance – grotesque, gory and finally insubstantial – may not be for you.French director Coralie Fargeat’s second feature (her first was Revenge in 2017, a... Read more... |
