thu 07/08/2025

New Music Reviews

Edinburgh Fringe: Shakespeare - The Man from Stratford/ Mick Ferry/ John Grant

theartsdesk

The premise of Jonathan Bate’s one-man play, directed by Tom Cairns, is simple but surprisingly effective: a trawl through the seven ages of Shakespeare, from babe to box, told through a mixture of biographical narrative illuminated by relevant scenes from Will’s work.

Shakespeare – The Man From Stratford, Assembly Hall ****

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Toots and the Maytals, Academy, Islington

David Cheal

The Academy was heaving, the floor was so sticky with beer that lifting one’s feet was an effort, and the crowd were beginning to lose patience. Frederick “Toots” Hibbert and the Maytals were late; a 9pm start for this London show was scheduled, but the appointed hour had come and gone, the minutes were ticking by, and the DJ’s efforts to keep us entertained with a string of ska and reggae classics were beginning to fall on stony ground. There was even some booing. Had it not been for the...

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Silver Apples, The Luminaire

joe Muggs The spry Simeon Coxe operates his esoteric machines

One doesn't want to be prejudiced about audiences, but when you go to see a show by a “pioneer of electronic music”, particularly one in his seventies, you most likely expect a crowd that are fairly male, fairly unfunky and tending towards the middle-aged. And to be fair, there were a good few paunches and beards in evidence at the Luminaire – but there were also a quite startling number of young, dressed-up, attractive and really rather groovy twenty-somethings of both (and indeterminate)...

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Tinariwen, HMV Forum

howard Male

Back in June of this year, the international successful Malian blues band gave what felt at the time like a curiously muted performance at the World Cup Kick-off Celebration Concert in Johannesburg. But perhaps it was the effect of having their laidback hypnotic grooves juxtaposed to the in-your-face emoting and hip-gyrating of the likes of Shakira and Alicia Keys that seemed to somewhat mystify the stadium audience.

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Benda Bilili!

howard Male

I must confess that when I first heard about Staff Benda Bilili - a Congolese band partly made up of paraplegics – I felt a little uneasy. The last thing that one wants as a (hopefully) trusted critic is to feel compromised by an obligation to give a positive review, or feel guilty about lessening their chances of bettering their circumstances with a bad review. Yes, the vanity and solipsism of your reviewer has no bounds!

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Kris Kristofferson, Festival Theatre, Edinburgh

graeme Thomson

“This song is for my kids – and all their Mommas.” Even at 74, Kris Kristofferson exudes the quietly satisfied air of experience of a man who has spent at least half his life drinking, shagging, smoking and strumming to his heart’s content, and now has a whole lot of good times (and plenty of bad) to draw from at will.

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Shellsuit, Dublin Castle, Camden

Paul McGee 'How much do you charge for a piece of your own soul?' The Shellsuit manifesto explained

During the 1980s, a major artistic response to the Conservative government came in the form of a sustained surge in music that was, on some level at least, politically engaged. Not necessarily in the classic agitprop manner either. For every band of Red Wedge-compliant rabblerousers, there'd be another act insisting that "the personal is political", as they made domestic power struggles or everyday banalities their preferred songwriting topic. With a Tory government once more, pursuing...

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Gruff Rhys's Separado! & Tony da Gatorra, BFI Southbank

Kieron Tyler

Patagonia’s Welshness was a nagging issue for Gruff Rhys, mainman of Welsh psycho-nauts Super Furry Animals. His distant cousin, the folk singer René Griffiths, was born in the desert-filled southern reaches of Argentina, but visited Wales and appeared there on TV in the mid seventies. Remembering those appearances, Rhys decided to visit Patagonia to search for Griffiths amongst the region’s little-known Welsh-speaking community. Given a Rhys-hosted outing at the BFI yesterday, the resulting...

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Separado!/ Gruff Rhys, BFI Southbank

Kieron Tyler

Patagonia’s Welshness was a nagging issue for Gruff Rhys, mainman of Welsh psych-nauts Super Furry Animals. His distant cousin, the folk singer René Griffiths, was born in the desert-filled southern reaches of Argentina, but visited Wales and appeared there on TV in the mid-Seventies. Remembering those appearances, Rhys decided to visit Patagonia to search for Griffiths amongst the region’s Welsh-speaking community.

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Pink Martini, Barbican

Peter Culshaw

“You see! This is America! All races, genders and everything else blending together to make something beautiful!” This a quote from an American fan living in the Middle East currently on Pink Martini’s website. Thomas Lauderdale, the musical director of the band was involved in politics, about to run for Mayor in Portland, Oregon when he put Pink Martini together.

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