New Music Reviews
10 Questions for the avant-pop icons StereolabThursday, 02 November 2023
Just over 30 years ago, avant-pop icons Stereolab released their debut album Peng! establishing the early hallmarks of the English-French band’s sound; 1960s pop harmonies, chorus-laden guitar riffs and a borderless world of analog electrics. Read more... |
Brian Eno, Baltic Sea Philharmonic, Kristjan Järvi, RFH review - electronica brilliantly re-visioned for orchestraWednesday, 01 November 2023
There is a great deal of sense in transposing electronic music to a symphony orchestra. However beautifully crafted, imaginatively constructed, and creatively programmed, the sounds that come out of synthesisers and other digital tools lack the knife-edge fallibility of music that is produced with the hand or the human breath. Read more... |
Music Reissues Weekly: Osmo Lindeman - Electronic WorksSunday, 29 October 2023
For Finnish composer Osmo Lindeman, the decision to pursue electronic music was made in 1968 during a visit to Poland. He had recently started using graphical notation for the scores of his compositions and was having problems getting conductors and orchestras to follow what he wanted. Read more... |
Album: Mayssa Jallad - Marjaa: The Battle of the HotelsSaturday, 28 October 2023
Atmospherically and musically, the debut album from Lebanon’s Mayssa Jallad swiftly makes its case. It opens with a drifting, elegiac voice singing a wandering melody over a sound-bed including what sounds like a koto and a droning cello. The language employed is Arabic. On the next track, the meditative spell is punctured by the crack of distant gunfire. Read more... |
theartsdesk at Salzburg Jazz & the City Festival - perfection in free venuesTuesday, 24 October 2023
As a cultural destination, Salzburg really is hard to beat. Each year, a million and a half tourists descend on this compact city with its baroque architectural delights, and a population of just 150,000. The city of Mozart and of the Salzburger Festspiele was also once home to Paracelsus, Heinrich Biber, Stefan Zweig, Georg Trakl, and more recently – of course – The Sound of Music and Red Bull. Read more... |
Rodrigo y Gabriela, Town Hall, Birmingham review - Mexican superstar guitarists bring a set of new soundsMonday, 23 October 2023
Despite playing together for almost 25 years, Rodrigo y Gabriela are still taking chances in the live arena and refusing to take the easy path. They certainly didn’t put on a heritage act set in Birmingham this weekend. Read more... |
Music Reissues Weekly: Serge Gainsbourg - L'Homme à tête de chouSunday, 22 October 2023
Marilou lies on the ground. She’s been bludgeoned to death by a fire extinguisher. Its foam covers her body. Her murderer is a forty-something man who has become obsessed with her. She shampoos hair in a barbers, where he first comes across her. Their affair turns sour after he finds her in bed with two other men. After the murder, her killer ends up in a mental hospital. Read more... |
Snayx/Shelf Lives/Monakis, Patterns, Brighton review - storming, punking triple-headerFriday, 20 October 2023
Patterns is a small, low-ceilinged, underground, seafront venue. Tonight it would be a feast for any passing ancient succubae who happens to feed on raw human energy. From 7.00 PM until 10.00 PM, the room plays host to a package tour of three rising bands. Their short, vim-filled sets are hard-wired to a thrilling, relentless punk intensity. Read more... |
Maisie Peters, O2 Academy, Glasgow review - conjuring up an enjoyable pop spellThursday, 19 October 2023
When Maisie Peters first appeared onstage she loudly asked if the crowd were ready for “the best night of their lives”, and given the youthful nature of the audience the ensuing 80 minutes might have lived up to the hype. There were screams, hysteria and, in one case, an emotional lass getting on her phone to tell her significant other that hearing break-up songs brought home how much they appreciated them. Read more... |
Album: Emma Anderson - PearliesWednesday, 18 October 2023
Well, this is lovely. Pearlies opens with “I Was Miles Away”, a puffball of a sonic cloud which marries twinkling electronica with guitar-led shoegazing. It has a familial resemblance with the sort of thing perfected by Sweden’s I Break Horses, but lacks the frostiness. Here, there is a glow akin to that of a fire’s embers. Next, the vaguely bossa nova-ish and similarly exquisite “Bend the Round”. Read more... |
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