mon 12/05/2025

New Music Reviews

Lykke Li, Shepherds Bush Empire

Kieron Tyler

As her black robe swirled around a black leotard, Lykke Li became the anti-Stevie Nicks. Instead of conjuring the mellow California feeling, she sang “sadness is a blessing”. Yet this Swede’s pop is as uplifting, as transporting as any good vibe merchant. More so. Last night’s show transfixed with its Bo Diddley beats, gospel choruses and wheezy garage rock organ.

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Miloš Karadaglić, LPO Foyle Future Firsts, 100 Club

David Nice

Bear with me while, like supergroomed rising star Miloš Karadaglić retuning his guitar to a mellower vein, I adjust my concert-hall vocab and describe this as a no-gimmicks sell-out gig underground with young musicians from the London Philharmonic’s Foyle Future Firsts scheme presenting two varied sets and Karadaglić headlining. And now I’ll just revert to old habits and declare the meat to be a slice of Classicism chromatically spiced (Mozart) and a 20th-century maverick pushing Neo-Baroque...

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Seun Kuti and Egypt 80, Royal Festival Hall

howard Male

Given that Seun Kuti and Egypt 80’s new album nearly blew my speaker covers off with its focused punch and irrepressible energy, the band really shouldn’t have had a problem making an impression on Tuesday night’s lacklustre Later… with Jools Holland. But bafflingly, they chugged awkwardly into life but never got up a proper head of steam.

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Josh Ritter, Liquid Room, Edinburgh

graeme Thomson

I’ll say this much for Josh Ritter last night, he was happy to be there. I’ve never seen a man grin quite so much on stage, and apparently with complete sincerity. Before the Idaho-born singer-songwriter played a note he promised that “we’ll have a ball”, and by the end he had certainly delivered. And yet still some small but essential ingredient seemed to be lacking.

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Esperanza Spalding, Barbican

peter Quinn

The last time I saw Esperanza Spalding live, at Ronnie Scott's towards the end of 2009, the mention of her name would largely have been greeted with quizzical looks.

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Kylie Minogue, O2 Arena

David Cheal

Frothier than a zero-gravity cappuccino, camper than a gay pride march through Brighton, cheesier than all the fromageries in France, and with almost as many beats per minute as a hummingbird’s heart: Kylie is back with a brand new show, and it’s quite something. Others will doubtless have rolled out the statistics – that it cost £530 million to stage, is built and staffed by a crew of 7,000, and requires a fleet of trucks that would stretch from London to Luton to keep it on the road.

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McCoy Tyner, Ronnie Scott's

Marcus O'Dair To quote the title of his classic 1967 Blue Note album: 'The Real McCoy'

Inspired to take up the piano by his neighbours Bud and Richie Powell, Philadelphia’s McCoy Tyner made jazz history as a member of the early-1960s John Coltrane quartet before emerging as a leader at Blue Note records. If his voicings seem any less distinctive today, it’s only because they have been so influential. And though his attack may have mellowed a little, that famous haymaker left hand remains very much in evidence several years after he blew out the candles on his 70th birthday...

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Keren Ann, Jazz Café

Kieron Tyler

Keren Ann’s new album, 101, might showcase her new-found pop smarts but last night’s hour-and-a-half set ranged through her whole catalogue taking in country-flavoured balladry, early Velvet Underground chugging and introspective singer-songwriting. A single French-language song acknowledged where she first attracted attention. Her American-accented English betrayed little of her Franco-Israeli roots. Truly multinational, her show at the Jazz Café was similarly diverse.

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Treefight for Sunlight, Hoxton Square Bar and Kitchen

Kieron Tyler

Drummers that sing lead are rare. Ones that sing while pounding away like Keith Moon are even rarer. Denmark’s Treefight for Sunlight are a talented lot, a four-piece who all sing, with three taking the lead. These are the vocals that drive the band and their melodies. Chuck in a wodge of psychedelic nous and you have an art-pop combo that can raise smiles and even the odd scream in hyper-cool Shoreditch.

 

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Singles & Downloads 11

Thomas H Green The Death Set ponder whether it's time for another dose of rampaging computer goof punk

This month, what's on offer in theartsdesk's Singles and Downloads veers towards the fresh and new rather than the tried and tested. We'll always chew over whatever's out there and right now these nine tunes speak loudest. Starting with carefree New York electronic punk frollicking, we also take on violent grime, Sixties-style guitar pop, Brit-pop hip hop, uncategorisable grunge cabaret and multifarious flavours of dubstep. Dive in.

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