mon 12/05/2025

New Music Reviews

theartsdesk at the Glastonbury Festival 2011

Caspar Gomez

Thursday 23 June

Haven’t left yet but someone sends me an email saying, "Not going to Glastonbury this year and feeling rather smug about it." What are they feeling smug about? The fact that they’re going to have a forgettable, normal weekend while this extraordinary event is going on? It is, of course, to do with ideas of rain. A lot of the pre-Glastonbury coverage focuses endlessly on rain and mud, as if home comforts are everything. When did comfort become the big cultural draw?...

Read more...

Paul Simon, Hammersmith Apollo

David Cheal Paul Simon: From weariness to wonder

Paul Simon is now nearly 70 years old and as he walked onto the Hammersmith Apollo stage last night it struck me that he is beginning to look like the little old man he will eventually become: still nimble, enviably trim, but nevertheless, he was noticeably older and more fragile-looking than when I last saw him five years ago. The second thing that struck me was a certain weariness in the opening songs - a mechanical quality to the playing, and a concomitantly flat atmosphere. The...

Read more...

Vetiver, XOYO

Kieron Tyler Vetiver mainman Andy Cabic: The same hat remained firmly atop his head all night

The prospect of seeing a band seemingly in thrall to peak-popularity Fleetwood Mac in a Shoreditch basement intrigued. Could San Francisco's Vetiver reproduce the glossy sheen of new album The Errant Charm live? The answer was no, and last night’s London show was all the better for that. As the guitars intertwined, the sonic swirl was more akin to a Seventies LA version of shoegazing than a recreation of the seductive West Coast sound.

Read more...

The Secret Sisters, Pleasance, Edinburgh

graeme Thomson Laura and Lydia Rogers: 'Harking back to a simpler, more innocent age'

Emmylou Harris once described to me the sibling harmonies of the Louvin Brothers as sounding like they were “washed in the blood”. The voices of Laura and Lydia Rogers, two twentysomething sisters from Muscle Shoals, Alabama, have that same haunting quality. When they sing they lock together so effortlessly it’s almost impossible to discern where one ends and the other begins.

Read more...

theartsdesk at the Home Festival, Dartington

mark Kidel

While Michael Eavis’s fields were colonised by the solstice hordes, transforming a tranquil farmstead into a vibrant (and muddy) drop city, a very different and much smaller crowd assembled in the enchanting grounds of Dartington Hall in south Devon, for the second edition of Home, "a Festival with Acoustic Music at its Heart".

Read more...

Kings of Leon, Hyde Park

Matilda Battersby

Brothers Caleb, Nathan and Jared Followill and their cousin Matthew Followill, better known as Kings of Leon, have come a long, long way from their humble Tennessee roots in the last 12 years. In London last night playing to a 65,000-strong crowd in the same week that a documentary charting their rise hits cinemas, the contrast between the life they were born into and...

Read more...

Jon Allen/ Josh Bray, Bush Hall

Russ Coffey

Jon Allen and his support Josh Bray are two sides of a coin. Of the two folk-rockers, the smoother, more polished Allen’s the heads. Bray is rougher, more unknown. But last night they both showed the depth of quality that exists in contemporary commercial roots-influenced music. Allen is touring his second album, Sweet Defeat. Its beautifully crafted songs and refined production have impressed the likes of Jools Holland, and last night he took it to a new level.

Read more...

Sónar 2011: Day 3 and Round-up

joe Muggs

This is where the delirium kicks in. Tired but happy, the attendees started the third day of Sónar festival slightly boggled by how to pick and choose from the strange delights on offer. Saturday was when the true musical variety of the festival was displayed: straight-up hip hop to eye-popping South African tribal dance displays, balmy ambient revivalism to apocalyptic techno, heartbroken electronica to deranged prog rock: it was all on offer...

Read more...

Southern Tenant Folk Union, King and Queen

Russ Coffey

“If you’ve got the heart,” sang a suave Ewan Macintyre, “then you can be involved, you can be a part”. There was more heart in the room last night than you’d find in a whole tour of Mumford & Sons. And art. Nothing too flashy to begin, just lovely interwoven mandolins and fiddles, driven by guitar rhythms and their trademark bluegrass banjo. Southern Tenant Folk Union might have been playing in a boozer, but if people call these guys a jumped-up pub band, they've got it all wrong.

Read more...

Ray Davies, Royal Festival Hall

Peter Culshaw

Tickets were like gold dust for this one and the stage was lit as if some of that dust had been sprinkled on the Festival Hall in a midsummer dream of a concert. The massed ranks of the Crouch End Festival Chorus, London Philharmonic Orchestra and a backing rock band magicked up on the Southbank to pay handsome tribute to the presiding Puck and genius loci Raymond Douglas Davies, alumnus of the William Grimshaw Secondary Modern School, in the manor of Muswell Hill.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Giulio Cesare, The English Concert, Bicket, Barbican review...

Is Giulio Cesare in Egitto, to give the full title, Handel’s best and shapeliest opera? Glyndebourne’s revival of the legendary David...

Zoe Lyons, Touring - midlife, without the crisis

Zoe Lyons knows her audience; as a few shoutouts confirmed, many of them are long-time fans, and have had lives with similar highs and...

Hallé, Elder, Bridgewater Hall, Manchester review - premiere...

Huw Watkins’ Concerto for Orchestra, the fourth new work of his to be commissioned and premiered by the Hallé and Sir Mark Elder, is...

DVD/Blu-ray: Slade in Flame

Over the years Slade in Flame has been hailed as one of the greatest rock movies (albeit rarely seen or screened), up...

Music Reissues Weekly: Roots Rocking Zimbabwe

“Soul Scene,” by Echoes Limited, is built from elements of the James Brown sound. But it’s put together in such a way that the result is...

Supergrass, Barrowland, Glasgow review - nostalgia played wi...

It is a family affair at Supergrass shows these days. There were plenty of parents and offspring filing onto the Barrowland’s famous old...

Louis Cole, Roundhouse review - nothing is everything

London's iconic Roundhouse, packed to the rafters, provided the perfect setting for the UK premiere of Louis Cole's groundbreaking album ...

Album: Peter Doherty - Felt Better Alive

Following on from an impressive set with the Libertines – last year’s No 1 album All Quiet On The Eastern Esplanade – Peter Doherty...

Here We Are, National Theatre review - Sondheim's sensa...

You don't have to be greeting the modern day with a smile unsupported by events in the wider world to have a field day at Here We Are....