mon 11/08/2025

New Music Reviews

Mark Lanegan, Shepherds Bush Empire

bella Todd

He has terrible tusks, and terrible claws, and terrible teeth in his terrible jaws… Ah wait now, that’s The Gruffalo. Mark Lanegan doesn’t have any of the above (although he does have tattooed fists and a considerable jaw, and past heroin addiction probably hasn’t played too well with the old teeth).

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Singles & Downloads: March 2012

Thomas H Green

After a nine-month absence, during which Joe Muggs explored the world's largest natural bassbin in the Amazonian rain forest and Thomas H Green waited to receive his passport back from the Bolivian government, Singles & Downloads returns to celebrate the best in new music. From the ambient to the danceable, the glorious to the outright embarassing, we present the juiciest possible representative cross section of modern popular music.

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Earth, Union Chapel

Kieron Tyler

There have been many Earths. Dylan Carlson has been the only constant, using the shifting line-ups as the vehicle for his vision of a music that is all about space, slowness, and repetition. As last night's concert made clear, he no longer needs a heavy metal framework to achieve his goal. Nowadays, understatement achieves heaviness. You could call it maturing.

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Sinéad O'Connor, Queen Elizabeth Hall

Thomas H Green

Some people – a very few – just have it. Never mind whether her songs appeal, or the style in which she performs them, but Sinéad O’Connor’s presence is extraordinary - as, of course, is her voice. She sings “I Am Stretched on Your Grave” a capella, dedicating it to PC David Rathband, the policeman blinded by Raoul Moat who recently committed suicide.

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Nanci Griffith, Royal Concert Hall, Glasgow

Lisa-Marie Ferla

“I know what I was angry about when I wrote this,” Nanci Griffith told the crowd as she introduced “Hell No (I’m Not Alright)”, “but you can get your anger out about whatever you want.”

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Hugh Masekela, Barbican Hall

howard Male

I must confess I wasn’t particularly looking forward to last night’s concert from the great elder statesman of South African music. This was largely because his most recent album Jabulani – recorded as a tribute to all the township weddings he went to as a child and youth – was marred by sentimentality and a lacklustre production. But then again one obviously shouldn’t be expecting the music of a 73-year-old to still be as fired-up as the work he produced in his prime.

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Florence + the Machine, Alexandra Palace (2012)

ASH Smyth

I figured there were two solid reasons to attend last night’s Florence + the Machine gig in North London. The first was that I’d given Ceremonials a fair few listens, and was beginning to conclude that the chaps at Island Records had identified what they thought constituted, hitherto, the "Florence sound", and then simply produced an entire album of it.

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The Stranglers, Roundhouse

Bruce Dessau

Well, better late than never. I wanted to see The Stranglers at The Roundhouse in April 1977, but a combination of homework, strict parents and being way too young meant that I had to make do with playing their debut album Rattus Norvegicus IV to death in my bedroom. Neatly 35 years later I finally made it and the band did their bit by performing more tracks from their early years than they did from their very well-received latest album, Giants.

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Killing Joke, Roundhouse

Andrew Perry

With the Queen’s Diamond Jubilee and the Nostradamus-predicted apocalypse both imminent (possibly), now is clearly an auspicious time for a doomsaying veteran punk combo such as Killing Joke to return to our midst.

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The Duke Spirit, KOKO

ASH Smyth

You could say the Duke Spirit have come a long way since I saw them support The Rapture (the who, now?) at the Oxford Zodiac, in 2004 – where, for my five quid, they accidentally sold me their band-wagon copy of Roy Orbison’s Big Hits from the Big ‘O’.

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