tue 12/08/2025

New Music Reviews

Edinburgh Fringe: Rosie Wilby

graeme Thomson

Rosie Wilby: How (Not) to Make it in Britpop, Bongo Club ***

 

In the 1990s Rosie Wilby was lurking on the outer edges of Britpop with her band Wilby, whose giddy career highlights included opening for Tony Hadley (he evacuated the entire room for the soundcheck), being clamped outside the venue while supporting Bob Geldof, and getting their own plastic name tag in the racks of Virgin Megastore.

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Reissue CDs Weekly: The Kinks

Kieron Tyler

The Kinks at the BBCThe Kinks:  The Kinks at the BBC

Kieron Tyler

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Lou Reed, Royal Festival Hall

Russ Coffey

“I would cut my legs and tits off/ When I think of Boris Karloff." Those were Lou Reed’s opening lines at the RFH, taken from Lulu, his recent collaboration with Metallica and his most poorly received record since 1975’s Metal Machine Music. One critic called it a “contender for the worst album ever". Reed’s reply was that he does as he pleases. Last night that meant making it a third of his set .

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Edinburgh Fringe: Camille O'Sullivan/The Road That Wasn't There

graeme Thomson

 

Camille O'Sullivan: Changeling, Assembly Rooms *****

The Assembly Rooms may have reopened for this year's Fringe following a very swanky refurb, but someone obviously forgot to put sufficient thought into the practicalities of getting people in and out during the festival.

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Reissue CDs Weekly: Freedom Sounds, Marilyn Monroe, Modern Music, Samantha Fox

Kieron Tyler

Trojan Presents Freedom Sounds, a Celebration of Jamaican MusicVarious Artists: Trojan Presents Freedom Sounds, a Celebration of Jamaican Music

Kieron Tyler

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Diamanda Galas, Royal Festival Hall

Russ Coffey

Diamanda Galas is a woman who once wrote a book called Sh*t of God and whose avant-garde screeching on subjects like AIDS and schizophrenia frequently takes gothic into an area where it could scare bats. Her CV includes stints as a research scientist, prostitute and drug addict. Unsurprisingly, she isn’t normally seen in context. But then there aren’t many line-ups quite like Antony Hegerty’s 2012 Meltdown, where for a month dissident singers rub shoulders with twilight artists.

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theartsdesk at Camp Bestival 2012

Thomas H Green

FRIDAY 27 JULY

 

Whatever happened to roughing it? Camp Bestival is, famously, more an upmarket middle England fete than a festival in the Hawkwind-play-Stonehenge sense but, still, why would anyone queue two and a half hours for the “Posh Wash” showers? Barring a below-waist hygiene disaster, surely Wet Wipes and water are sufficient for a weekend?

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theartsdesk in The Faroe Islands: G! Festival

Kieron Tyler

Iceland’s kings of heavy metal Momentum are launching into an assault called “The Creator of Malignign Metaphors”. It’s broad daylight and they’re playing about 10 meters from the kitchen window of a suburban-looking house. The stage is sited on an AstroTurf football pitch, with one of the goals pushed to the side of it. On the opposite side, kids are shimmying down a blow-up slide. Very little about G! conforms with the standard festival experience.

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Reissue CDs Weekly: Nick Cave & the Bad Seeds, Rodriguez, Benny Spellman, Rupert's People

theartsdesk

Nick Cave & the Bad Seeds DIG!!! LAZARUS, DIG!!!Nick Cave & the Bad Seeds: Nocturama, Abattoir Blues, The Lyre of Orpheus, DIG!!! LAZARUS, DIG!!!

Howard Male

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Swing Symphony, Barbican

peter Quinn

The UK premiere of Wynton Marsalis's Swing Symphony (Symphony No 3) last night was extraordinary on several counts. We heard, first and foremost, a real dialogue between jazz band and orchestra. Not one of those fist-bitingly cornball jazz arrangements where the jazz players get to stretch out and the orchestral players sit back and contribute the sustained, saccharine harmonies.

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