wed 14/05/2025

New Music Reviews

Mike Doughty, Borderline

howard Male

The solid, shiny band sound on New Yorker Mike Doughty’s most recent solo album Yes And Also Yes was a reason to get very excited about the prospect of him visiting the UK to do some live concerts. But then a couple of weeks ago a new live double CD The Question Jar Show turned up in the post featuring just Doughty accompanied by celloist Andrew Livingstone.

Read more...

Spiro, Kings Place

Peter Culshaw

If the three-day Songlines Encounters Festival got off to a rousing start with folk-punk rowdiness from Poland’s R.U.T.A, by last night things were decidedly more genteel. The Festival, anyway, was an exhilarating musical voyage. Spiro’s last album is called Kaleidophonica, and sports a dizzying cover. Rather than the lysergic rush that might suggest, their music is pastoral but as intricate as a Swiss watch, seemingly restrained but with visionary undercurrents.

Read more...

Johnny Parry Chamber Orchestra, Union Chapel

howard Male

In this self-sufficient age of laptops and loop pedals you have to admire the Werner Herzog-like vision and ambition of a singer-songwriter who decides his compositions deserve to be fully brought to life by an orchestra. After all, who has their own orchestra these days? Tony Bennett, perhaps, or Barbra Streisand? But certainly not someone who’s most recent video has so far only garnered 400 hits on YouTube.

Read more...

Reissue CDs Weekly: David Bowie, The Association, Boban I Marko Marković Orkestar

theartsdesk

David Bowie Ziggy Stardust 40th Anniversary EditionDavid Bowie: The Rise and Fall of Ziggy Stardust and the Spiders From Mars 40th Ann...

Read more...

Radiohead: Lost in Space

Graham Fuller

Opened in 2007, the Prudential Center in Newark, 16 miles from Manhattan, is a cavernous indoors sports arena, the home of ice hockey’s New Jersey Devils and basketball’s Seton Hall Pirates and, temporarily, the New York Liberty. The arena’s capacity for concerts is 19,500 – perhaps 2,000 can stand on the floor in front of the stage, the remainder must take their seats in the tiers that rise and rise to a stratosphere that removes them, emotionally and spiritually, from the show below.

Read more...

James Yorkston, Oran Mor, Glasgow

Lisa-Marie Ferla

“Before I met James Yorkston, I used to write songs that had choruses in them - and here’s one of them.” Irish folk-inspired singer-songwriter Seamus Fogarty may be one of the newer additions to the legendary Fence Records label from which Yorkston sprang, but at the end of a clutch of dates on which the more established artist performed his 2002 debut Moving Up Country in its entirety he certainly isn’t over-awed.

Read more...

The Voice: The Final, BBC One

joe Muggs

I love the BBC. “Auntie Beeb” really is the appropriate nickname for the Corporation, at least when it comes to television, because you just know when they try and get involved with any kind of pop culture it's going to be with all the gaucheness of a very enthusiastic auntie trying to adopt kids' tastes. This goes double with Danny Cohen – a man who gives the impression that he starts every sentence with “hey guys” and thinks “mega” is the latest street slang – at the helm of BBC One.

Read more...

Reissue CDs Weekly: Everything But The Girl, Todd Rundgren's Utopia, WITCH

theartsdesk

Everything But The Girl: Eden, Love Not Money, Baby, The Stars Shine Bright, Idlewild

Jasper Rees

Read more...

Norah Jones, Royal Festival Hall

joe Muggs

It's easy to forget exactly how successful Norah Jones is, but with over 50 million records sold, she is a modern success up there with the Jay-Zs of this world. To see her come on stage last night, though, you wouldn't have known it. There were no fireworks, no build-up of drama, no crazed intro tape, no MC on stage to announce her entrance, just a band and singer walking on stage to play.

Read more...

Punk Britannia, BBC Four

howard Male

“We didn’t have a real agenda. We just wanted to play some tunes and have a good time.” Thus spoke the immaculately suited but still mischievous-looking Mick Jones. And thank goodness he said it because, from the off - even before the off - I didn’t think anyone would. The interviewer (his ideological preconceptions crumbling) protested, so unfortunately Jones had to qualify his unguarded statement by saying he couldn’t of course speak for the other members of The Clash.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

House of Games, Hampstead Theatre review - adapted Mamet scr...

There is so much that is right about Jonathan Kent’s new production of House of Games – the casting, the staging, the...

Album: MØ - Plæygirl

Danish singer MØ is a paradox. Initially she appeared to be another Scandi electro-pop princess of the bangers. The monster 2015 hit “Lean On”...

Stile Antico, Wigmore Hall review - a glorious birthday cele...

There was a wonderful festal spirit at the Wigmore Hall last night, as the vocal ensemble Stile Antico ran through a Greatest Hits selection in...

PUP, SWG3, Glasgow review - controlled chaos from Canadian p...

According to PUP lead singer Stefan Babcock, the Toronto foursome practiced together a grand total of twice before embarking on their current UK...

Zoe Lyons, Touring - midlife, without the crisis

Zoe Lyons knows her audience; as a few shoutouts confirmed, many of them are long-time fans, and have had lives with similar highs and...

The Last Musician of Auschwitz review - a haunting testament...

“It is so disgraceful, what happened there,” says Anita Lasker-Wallfisch, in a comment that is the understatement of the century. She is referring...

Giulio Cesare, The English Concert, Bicket, Barbican review...

Is Giulio Cesare in Egitto, to give the full title, Handel’s best and shapeliest opera? Glyndebourne’s revival of the legendary David...

Hallé, Elder, Bridgewater Hall, Manchester review - premiere...

Huw Watkins’ Concerto for Orchestra, the fourth new work of his to be commissioned and premiered by the Hallé and Sir Mark Elder, is...

DVD/Blu-ray: Slade in Flame

Over the years Slade in Flame has been hailed as one of the greatest rock movies (albeit rarely seen or screened), up...