sat 17/05/2025

New Music Reviews

Limp Bizkit and Friends, 02 Academy, Brixton

Russ Coffey

Other than for die-hard fans, expectations for this Limp Bizkit tour have been, well, pretty limp. Nu-metal has been on the wane for years, and Limp Bizkit have aged the worst. Small wonder: surely even hardened metal fans must raise their eyebrows at a 43-year-old in a red baseball cap telling us to go fuck ourselves, whilst he takes our bitches (as Fred Durst does on the new single). So, if Limp Bizkit are a spent force, who goes to their concerts these days; and what exactly goes on?

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Gipsy Kings, Royal Albert Hall

Matthew Wright

With their self-conscious blend of flamenco, Latin and pop creating the improbable-sounding Catalonian rumba, the Gipsy Kings, who played to an ecstatic Royal Albert Hall last night, are one of the pioneers of the world music genre. Their contribution has just been recognised by the Grammys, where they shared this year’s World Music prize (with Ladysmith Black Mambazo) for their new album Savor Flamenco.

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Shlomo, Purcell Room

joe Muggs

Ever since becoming a parent – given that it's my job to look at how music connects to its audience – thoughts about what gets children engaged with it have rarely been far from my mind. It brings home a lot of questions about how much of our reactions to music are learned and how much instinctive, about the functions it serves in our lives, about whether old platitudes about music bringing people together carry any weight and so on.

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Drenge, Hare and Hounds, Birmingham

Guy Oddy

Drenge certainly pull in a diverse crowd to their shows these days. Prior to the band coming on stage for this sell-out gig, there was a group of 40-somethings in fairly new-looking leather jackets to my left, talking about Tom Watson MP (who famously recommended the band to Ed Miliband in a resignation letter), and to my right a group of teenagers, sniffing from a bottle of amyl nitrate and trying not to puke.

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Berlinale 2014: 20,000 Days on Earth

james Woodall

He cuts a dash, that man Cave. Very tall, gangly, with his idiosyncratic snub nose and upside-down-U-shaped hair, the Australian is a one-off. His growly music isn’t always easy to like. In his fury days with the Birthday Party and the Bad Seeds, he was a post-punk rock poet. He has, of course, oceans of fans.

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The Strypes, Concorde 2, Brighton

Thomas H Green

The Strypes broke through initially with an amped-up version of the blues, akin to the sounds of the early Sixties London blues rock explosion that gave us the Rolling Stones. Tonight proved that they’ve since taken a Tardis through the decades - although no further than 1992 or so - but have kept fast hold of their smash’n’grab garage band ethos.

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Prince, Shepherds Bush Empire

joe Muggs

If you're looking for good vibes, you could do worse than watch people who've queued up for a surprise show by a megastar finally getting through the doors, having paid only a tenner. The buzz on the way into the Shepherds Bush Empire last night, in fact, was a real tonic – people whooping, spontaneously singing, grinning inanely.

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Reissue CDs Weekly: Mike Bloomfield

Kieron Tyler

 

Michael Bloomfield: From his Head to his Heart to his HandsMichael Bloomfield: From his Head to his Heart to his Hands

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Loop Collective Club Night, The Vortex

Matthew Wright

The emergence of artists’ collectives, bristling with idealism and wacky manifestoes, is usually a sign of a vigorous cultural scene. London’s new improvised music scene enjoys several successful examples, of which Loop is perhaps the most prominent. Last night’s Loop club night at the Vortex showed the idea at its best, combining new and established acts across a range of genres.

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Alexander Hawkins' One Tree Found, Cafe OTO

Matthew Wright

Bach, Duke Ellington and free jazz improvisation met at Cafe OTO last night, and joyously warped some minds. Composer Alexander Hawkins’ BBC Radio 3 commission, the nonet piece "One Tree Found", was part of last year’s Baroque Spring season.

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