New Music Reviews
The Master Musicians of Joujouka, Morocco review - a healing encounterTuesday, 18 June 2024
A small mountain village, tucked away in the foothills of the Rif Mountains, south-east of Tangier. The “smallest music festival in the world”, so it says in the Guinness Book of Records. But this remarkable musical event – more of an encounter than a performance – has none of the usual trappings of the larger events that populate our summers. Read more... |
Music Reissues Weekly: Margo Guryan - Words and MusicSunday, 16 June 2024
Late summer 1966. Jazz was Margo Guryan’s thing. She was not interested in pop music. This changed when she was played The Beach Boys’s “God Only Knows.” Amazed by what she heard, she tuned in to pop radio for the first time. Her head was further turned by The Beatles and The Mamas & the Papas. A copy of “God Only Knows’s” parent album Pet Sounds was bought. Read more... |
Smashing Pumpkins / Weezer, OVO Hydro, Glasgow review - double-bill of unlikely bedfellows makes a racketFriday, 14 June 2024
The current trend for package tours with two headliners appears to be growing, and this jaunt presented somewhat unlikely bedfellows – the theatrical angst of Billy Corgan’s crew and Rivers Cuomo’s indie trendsetters united by a shared love for guitar histrionics, 90s nostalgia for those who remember MTV2 and not much else. Read more... |
theartsdesk on Vinyl 84: Ibibio Sound Machine, Dave Clarke, Eliza Rose, Billy Idol, Bodega, Mui Zyu and moreWednesday, 12 June 2024
VINYL OF THE MONTH Ariel Sharratt & Matthias Kom Never Work (BB*Island) + Ella Ronen The Girl With No Skin (BB*Island) Read more... |
Girls Aloud, OVO Hydro, Glasgow review - pop queens return with poignant hit paradeWednesday, 12 June 2024
There was a point in this pop revival jaunt where you could feel members of the crowd wince. Not for the performance, but because Nicola Roberts introduced a song by mentioning it was from “the Chemistry album, which came out 19 years ago”. You could almost feel some in the crowd recoil, as if expecting to crumble to dust at that confirmation of the passing of time. Read more... |
Album: John Grant - The Art of the LieWednesday, 12 June 2024
“I feel ashamed because I couldn’t become the man that you always hoped I’d become.” The line is repeated during “Father,” The Art of the Lie’s third track. After this, there’s “Mother and Son,” “Daddy” and the allusive “The Child Catcher”. Parent-child relations, from either perspective, are key to John Grant’s sixth solo album. Specifically, how these have rippled through his life to form his present-day self. Read more... |
Music Reissues Weekly: Moving Away from the Pulsebeat - Post-Punk Britain 1977-1981Sunday, 09 June 2024
“Moving Away from the Pulsebeat” is the final track – barring the locked-groove return of the two-note guitar refrain from “Boredom” – of Buzzcocks’ March 1978 debut album, Another Music In A Different Kitchen. At five minutes 40 seconds it didn’t cleave to the short, sharp punk template. Also, it was largely instrumental. And it had a drum solo. Read more... |
Deap Vally, Concorde 2, Brighton review - final blow-out before the rockin' duo quitWednesday, 05 June 2024
Towards the end of the encore, Deap Vally bring on their friend Solon Bixler. Frontwoman Lindsey Troy hands him her guitar. Despite this being their farewell tour, these two songs, she tells us, are new. The duo, now briefly a trio, go ballistic, a punk rock explosion ensues. Drummer Julie Edwards attacks her kit like Animal from The Muppets, Troy stomps like a glam rock loon before rolling about the floor, and Bixler scissor-kicks his way to stand aloft the bass drum. Read more... |
Music Reissues Weekly: The Beatles - Stowe School 1963Sunday, 02 June 2024
“We hope if you like it, you'll buy it,” says Paul McCartney. It’s 4 April 1963 and The Beatles are on stage and about to perform their third single “From Me to You.” It’s out in a week. To his left, John Lennon instantly responds to the entreaty. “And if you don't like it,” he retorts. “Don't buy it.” Read more... |
Beth Gibbons, Salle Pleyel, Paris review - a triumph of intimacyThursday, 30 May 2024
Beth Gibbons, once the voice of Portishead, and later a wonderful solo singer and songwriter, hasn’t been on stage for a long while. She makes the most of a paradoxical yet magical mix of being at once fleeting and totally present. Read more... |
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Music Reissues Weekly: Roots Rocking Zimbabwe
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