New Music Reviews
theartsdesk on Vinyl 43: Pixies, Nazareth, Yumi and the Weather, Beta Band, Northern Soul and moreFriday, 05 October 2018![]()
There’s been a lot of conjecture over the last couple of years about HD Vinyl. It is, we’re told, a more precise and rounded analogue experience, taking record-listening to the next level. The company’s Austrian MD Guenter Loibl has explained that the process uses “a laser-cut ceramic instead of electroplated metal stampers” to achieve results that add 30% more audio information to a record. Sounds great. Read more... |
They Might Be Giants, Barbican review - genuine, authentic humourThursday, 04 October 2018![]()
The songs of They Might Be Giants have an irresistible way of combining the playful, the childlike and the absurd. The band’s major label debut album, Flood from 1990, which was most people’s entry point into their music, is full of quick-witted humour. Read more... |
Soft Cell, O2 review - a memorable finale to their careerMonday, 01 October 2018![]()
Soft Cell have been teasing us for almost three hours. “I think we might have forgotten to do one, Dave,” says Marc Almond, pacing the stage, a wry smirk on his face. His protégé, Dave Ball, is next to him, ensconced behind a corral of old analogue synthesizers. The song lyrics descending down two gigantic screens behind them illustrate the burlesque of it all. Read more... |
Reissue CDs Weekly: The Michael Gibbs Big Band, The Gary Burton QuartetSunday, 30 September 2018![]()
Gary Burton fans with an eye for detail will know that “Fly Time Fly (Sigh)” from his second album, 1962’s Who Is Gary Burton?, had a writer credit of “Gibbs”. The American vibes-ace’s next album, 1963’s 3 in Jazz, a collaboration with Sonny Rollins and Clark Terry included another song by Gibbs. Read more... |
Reissue CDs Weekly: Bobbie GentrySunday, 23 September 2018![]()
In 2016, a writer from The Washington Post thought they had found Bobbie Gentry. After announcing their presence via the entry phone system of a gated housing development near Greenwood, Mississippi, they were told “there's nobody here by that name.” Though Greenwood was where Gentry had attended school and taught herself to play multiple instruments, it was a predictable response. Read more... |
David Crosby & Friends, Shepherd’s Bush Empire, review - still spine-tingling at 77Wednesday, 19 September 2018![]()
“This, quite possibly, could be a really good night,” declared David Crosby. He’s a couple of songs into this show, one of only two UK dates on the tour promoting his current album Sky Trails. Looking trim, beaming and in impeccable voice, the 77-year-old known as Croz fulfils his prophecy – and then some. Read more... |
Reissue CDs Weekly: Soft CellSunday, 16 September 2018![]()
During their original 1980 to 1984 lifespan as a recording unit, Soft Cell issued three albums, a mini-album, eleven singles and EP. There were also compilation appearances, bonus tracks on discs included with albums or singles (such as the 12-inch of Jimi Hendrix cover versions accompanying The Art of Falling Apart) and extended tracks which appeared on 12-inch singles. Everything could probably be collected on six CDs. Read more... |
Classic Albums: Amy Winehouse - Back to Black, BBC Four review - suffering turned into songSaturday, 15 September 2018![]()
Formats are second nature to TV: the BBC and Eagle Rock’s Classic Albums will run and run. Like all formats, there’s always the risk that the medium becomes the message, and content suffers under the weight of form. Read more... |
Arctic Monkeys, O2 review - musicanship and showmanship successfully collideFriday, 14 September 2018![]()
So here we are. Over a decade since we all fell in love. So many light years from the rubble to the Ritz. From Sheffield to LA, where half the band is now based. And by the looks of the audience, a fair proportion has been along for the whole ride. Not that it’s always been easy to support them. Never mind the information/action ratio, what perhaps should concern us about the Arctic Monkeys is... Read more... |
The The, Digbeth Arena, Birmingham review - Matt Johnson takes his political pop back on the roadMonday, 10 September 2018![]()
Matt Johnson is a genial bloke with a trunk-load of songs that view the glass as not only half empty but too small. In the '80s and early '90s this pessimistic protest singer even managed to bother the charts a fair few times before quietly slipping out of sight until the release, a year or so ago, of his experimental Radio Cineola Trilogy album. Read more... |
Pages
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
latest in today

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...

There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions...

Nick Mohammed invented his Mr Swallow character – camp, lisping, with an inflated ego and the mistaken belief that he has creative...

The appalling destruction of Pan Am’s flight 103 over Lockerbie in 1988 was put under the spotlight in January this year in Sky Atlantic’s ...

Ballet is hardly a stranger to Broadway. Until the late 1950s every other musical had its fantasy ballet sequence – think Cyd Charisse in ...

“Tell me what you see” invites Robert Forster during Strawberries' “Tell it Back to me.” The album’s eight songs do not, however,...

Quoted in an early music press article on his band Chapterhouse, singer-guitarist Stephen Patman said their ambition was “to have our records on...

Songlines Encounters is your round-the-world ticket to great...

The water proves newly inviting in The Deep Blue Sea, Terence Rattigan's mournful 1952 play that some while ago established its status as...

It's one thing to be indebted to a playwright, as Tom Stoppard and Harold Pinter have been at different times to Beckett, or Sondheim's latest...