dance
LIMF: La Maldición De Poe, Purcell Room/ Flesh and Blood & Fish and Fowl, Barbican PitThursday, 20 January 2011
The up - which I’m sorry not to have reported on before it ended last night - was the Spanish puppetry troupe Teatro Corsario, who made their hour’s strut and fret upon the stage in the Southbank Centre’s Purcell Room a pleasingly diverting wee horror tale, La Maldición de Poe (The Curse of Poe), filled with gory corpses and spectral lighting and awful bloodthirsty characters. Read more... |
Giselle, Royal Ballet/ Swan Lake, Russian State Ballet of SiberiaWednesday, 12 January 2011
The chasm between the top-class ballet available to London-area ballet-goers and the low-grade stuff peddled in the regions is the field where the battle to save ballet’s soul is nightly won or lost. Read more... |
Romeo and Juliet, English National Ballet, London ColiseumSunday, 09 January 2011
Busy, busy, busy tends to have been the watchword of Rudolf Nureyev’s elaborate choreographies. Prokofiev, as the most direct of musical dramatists, demanded streamlining from Sergey Radlov’s complicated scenario in 1935, but Nureyev tends to have jammed extra plotlines back in with un-Shakespearean knobs on. Thank heavens Patricia Ruanne, his Juliet for the initial four-week run back in 1977, and his first Tybalt, Frédéric Jahn, have returned to work so hard on the staging's fiddly bits as... Read more... |
Year Out/Year In: Dance is Still With Us (So Far)Wednesday, 29 December 2010
I was taken to task by a commenter this year who told me I should go and review music, if I couldn't enjoy dance. Hm. One takes such things to heart, but it's humbug. While piling up memories over 25 years might mean that the noise in my memory is getting more and more obtrusive, that doesn't mean you can't suddenly find the corker one night that wipes the field clean and places a new memory there which will move your yardstick yet again. Read more... |
Strictly Come Dancing: The Final, BBC OneSunday, 19 December 2010
It’s been a journey, an emotional rollercoaster, since 14 soap stars and sports personalities abandoned reality three months ago, donned a series of spandex and chiffon outfits and embarked upon the most important experience of their lives. They all gave it 110 per cent, took disappointment on the chin and came back fighting, and last night the three finalists battled it out for the ultimate prize – the Strictly Come Dancing 2010 glitterball trophy. Read more... |
The Nutcracker, English National Ballet, London ColiseumSunday, 12 December 2010
The lighting chief holds the success of a magical fairy-tale staging in his hands. Whatever the designer has done, however fantastical and virtuosic his visions, the lighting chief can ruin it. So it is with English National Ballet’s new Nutcracker, in which two gigantic miscalculations kill any of its old-fashioned atmosphere. Read more... |
Matthew Bourne's Cinderella, Sadler's WellsFriday, 10 December 2010
What a stunning show Matthew Bourne has created in his Blitz-era Cinderella - truly a magical ride created from what was in its original 1997 form a pumpkin waiting to be transformed. This must be the most heartwarming and sophisticatedly rewarding Christmas show in London, filled with a huge love of the city and a moving homage to humanity in wartime. Read more... |
Cinderella, Birmingham Royal BalletThursday, 25 November 2010
Fairy-tale ballets are a bitch. We all grow a mental image of what is “right” when we are about five, and then woe betide anyone whose vision is different – because of course it isn’t different, it’s “wrong”. So David Bintley and his designer, John Macfarlane, are up against audiences chock-full of preconceived notions. And I’m happy to say, after BRB’s premiere of their new Christmas show last night, they passed my inner-five-year-old test with flying colours. Read more... |
Cinderella, Royal BalletSunday, 21 November 2010
Christmas rolls around, and so does Cinderella, a welcome alternative to the seasonal dance-critic bah-humbug that is The Nutcracker. First, the good news. The good news is Marianela Nuñez. Always a lovely dancer, in Ashton she just glows. No one could be more suited than she to Ashton’s fiendishly difficult petite batterie, those tiny, beaten, viciously fast steps; no one could be more suited than she to Ashton’s light, bright jumps: with her sunny temperament and... Read more... |
FAR, Random Dance, Sadler's WellsThursday, 18 November 2010
If only such a bubble of foolish hype did not follow Wayne McGregor wherever he goes, such bloated talk of reinventing dance, injecting it with brains, and infusing it with new chemical sensitivities and practically supernatural powers, one would be able to look at what his contribution to theatre is more clearly. He is not the Heston Blumenthal of dance. Read more... |
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