book reviews and features
Souvankham Thammavongsa: How to Pronounce Knife review - neat finishes with loose ends
Sunday, 12 April 2020
There’s a sort of enduring mystery about short stories. They rarely have the reassuring arithmetic of poetry or – with apologies to Murakami – novelistic sweep of longer fiction. They don’t... Read more... |
Valerie Hansen: The Year 1000 review - the first globe-trotting age
Sunday, 12 April 2020
In 1018, the Princess of Chen – a member of the Liao dynasty that ruled northern China – was buried in a treasure-filled tomb in Inner Mongolia. Excavated in the 1980s, her grave contained luxury... Read more... |
Mark Townsend: No Return review - a masterclass in journalism
Wednesday, 08 April 2020
When Amer Deghayes departed for Syria in a truck leaving from Birmingham, a worker from a youth arts organisation in Brighton had been trying to get in touch with him. She wanted to inform Amer,... Read more... |
Oliver Craske: Indian Sun, The Life and Music of Ravi Shankar review - a master receives masterly treatment
Thursday, 02 April 2020
Ravi Shankar was one of the giants of 20th century music. A... Read more... |
Fitzcarraldo Editions wins Republic of Consciousness Prize
Tuesday, 31 March 2020
South London-based publisher Fitzcarraldo Editions has once more been awarded the Republic of Consciousness Prize,... Read more... |
Sam Bourne: To Kill a Man review – the woman who fought back
Sunday, 29 March 2020
Assassinate the President! Obliterate history by torching libraries and murdering historians! Crazy leaders and fake news are just a few of the subjects tackled by political journalist and... Read more... |
Nathalie Léger: The White Dress review – masterfully introverted
Sunday, 22 March 2020
Nathalie Léger’s The White Dress brings personal and public tragedy together in a narrative as absorbingly melancholic as its subject is shocking. The story described by Léger’s narrator... Read more... |
Samuel Beckett: Dream of Fair to Middling Women review – the literary titan laid bare
Sunday, 22 March 2020
That any writer “struggling to make ends meet” would apply themselves to the making of Dream of Fair to Middling Women is something of a complexity. Written in ... Read more... |
Brendan Cleary, Great Eastern, Brighton review – last orders
Thursday, 19 March 2020
St. Patrick’s Day, and socialising itself, has been all but cancelled. But... Read more... |
Christopher Booker: Groupthink review – an uncritical history of political correctness
Sunday, 15 March 2020
“Groupthink”, according to Christopher Booker, is “one of the most valuable guides to collective human behaviour we have ever been given.” But what is it exactly? It begins Booker’s final,... Read more... |
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Giulio Cesare, The English Concert, Bicket, Barbican review...
Is Giulio Cesare in Egitto, to give the full title, Handel’s best and shapeliest opera? Glyndebourne’s revival of the legendary David...
Zoe Lyons, Touring - midlife, without the crisis
Zoe Lyons knows her audience; as a few shoutouts confirmed, many of them are long-time fans, and have had lives with similar highs and...
Hallé, Elder, Bridgewater Hall, Manchester review - premiere...
Huw Watkins’ Concerto for Orchestra, the fourth new work of his to be commissioned and premiered by the Hallé and Sir Mark Elder, is...
DVD/Blu-ray: Slade in Flame
Over the years Slade in Flame has been hailed as one of the greatest rock movies (albeit rarely seen or screened), up...
Music Reissues Weekly: Roots Rocking Zimbabwe
“Soul Scene,” by Echoes Limited, is built from elements of the James Brown sound. But it’s put together in such a way that the result is...
Supergrass, Barrowland, Glasgow review - nostalgia played wi...
It is a family affair at Supergrass shows these days. There were plenty of parents and offspring filing onto the Barrowland’s famous old...
Louis Cole, Roundhouse review - nothing is everything
London's iconic Roundhouse, packed to the rafters, provided the perfect setting for the UK premiere of Louis Cole's groundbreaking album ...
Album: Peter Doherty - Felt Better Alive
Following on from an impressive set with the Libertines – last year’s No 1 album All Quiet On The Eastern Esplanade – Peter Doherty...
Here We Are, National Theatre review - Sondheim's sensa...
You don't have to be greeting the modern day with a smile unsupported by events in the wider world to have a field day at Here We Are....