book reviews and features
Ali Smith: Spring review – green shoots, dark fears
Sunday, 31 March 2019
Stopped in the street for a vox pop by a BBC interviewer keen to “fill your air” with strife and bile, a character in Spring retorts that “there’s a world out there bigger than Brexit,... Read more... |
Karl Ove Knausgaard: So Much Longing in So Little Space review – smiles more than screams
Sunday, 24 March 2019
Around the works canteen, a dozen huge wall-paintings depict, in bright cheerful colours spread across radically stylised forms, happy scenes of women and men at work and play beside a sunlit sea... Read more... |
David Hepworth: A Fabulous Creation review - how vinyl soothed our souls and defined our being
Sunday, 17 March 2019
Record Store Day is now a fixture on the calendar, a key element in “the vinyl revival”, and this year – 13 April –... Read more... |
Fiona MacCarthy: Walter Gropius review - a master of modernism
Sunday, 10 March 2019
The centenary of the founding of the Bauhaus (literally, “Building House”) art school is on us, prompting publications and exhibitions worldwide. Subtitled “Visionary Founder of the Bauhaus”,... Read more... |
Robert Menasse: The Capital review - much more than just an EU satire
Sunday, 10 March 2019
Forty years ago this July, Simone Veil gave her inaugural speech as first President of the European Parliament. She had many issues to include. Peace came first; as a survivor of Auschwitz and the... Read more... |
Sadie Jones: The Snakes review - lacking feeling
Sunday, 03 March 2019
Bea and Dan are a young married couple. They have a mortgage on their small flat in Holloway and met while out clubbing in Peckham. She’s a plain-looking, modest and hard-working psychotherapist;... Read more... |
George Szirtes: The Photographer at Sixteen review – how grief becomes art
Sunday, 24 February 2019
How long does it take for grief to crystallise into art? No timetable can ever set that date. The poet George Szirtes’s mother took her own life, after previous attempts, during the hot summer of... Read more... |
Sam Bourne: To Kill the Truth review - taut thriller of big ideas
Sunday, 24 February 2019
Great libraries burning, historians murdered: someone somewhere is removing the past by obliterating the ways... Read more... |
Richard J Evans: Eric Hobsbawm - A Life in History review - mesmerisingly readable
Sunday, 17 February 2019
This is an astonishing book: in its breadth, depth and detail and also in its almost palpable, and sometimes unpalatable, admiration of its... Read more... |
Tana French: The Wych Elm review - a lucky man and his downfall
Sunday, 17 February 2019
A Tana French crime novel is never just a thriller. Probably more acclaimed in the USA than the UK (she gets rave reviews in the New Yorker and the New York Times) French always... Read more... |
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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
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There was a wonderful festal spirit at the Wigmore Hall last night, as the vocal ensemble Stile Antico ran through a Greatest Hits selection in...
PUP, SWG3, Glasgow review - controlled chaos from Canadian p...
According to PUP lead singer Stefan Babcock, the Toronto foursome practiced together a grand total of twice before embarking on their current UK...
Zoe Lyons, Touring - midlife, without the crisis
Zoe Lyons knows her audience; as a few shoutouts confirmed, many of them are long-time fans, and have had lives with similar highs and...
The Last Musician of Auschwitz review - a haunting testament...
“It is so disgraceful, what happened there,” says Anita Lasker-Wallfisch, in a comment that is the understatement of the century. She is referring...
Giulio Cesare, The English Concert, Bicket, Barbican review...
Is Giulio Cesare in Egitto, to give the full title, Handel’s best and shapeliest opera? Glyndebourne’s revival of the legendary David...
Hallé, Elder, Bridgewater Hall, Manchester review - premiere...
Huw Watkins’ Concerto for Orchestra, the fourth new work of his to be commissioned and premiered by the Hallé and Sir Mark Elder, is...