wed 14/05/2025

book reviews and features

Book extract: Minor Detail by Adania Shibli

theartsdesk

The first half of Minor Detail is set in an Israeli military camp in the Negev desert in August 1949, during the conflict celebrated as the War of Independence in Israel and a year...

Read more...

Marieke Lucas Rijneveld: The Discomfort of Evening review - lovelessness, loneliness, bodies and their limits

Jessica Payn

“I was ten and stopped taking off my coat.” This bare beginning marks the opening of Marieke Lucas Rijneveld’s startling and lyrical novel, translated from the Dutch by Michele Hutchison: an...

Read more...

Alex George: The Paris Hours review - captivating yet frustrating

Charlie Stone

A century on, the années folles of Paris between the wars do not cease to excite readers and writers of all varieties. Alex George’s latest...

Read more...

Catherine Belton: Putin’s People review - an instant classic

James Dowsett

In October 1991, Russian prosecutors gained access to the Communist Party Central Committee’s headquarters in Moscow’s Old Square. The offices had been sealed after President Boris Yeltsin ordered...

Read more...

Elizabeth Kay: Seven Lies review - can big-money debut match the hype?

Jasper Rees

Seven Lies is the debut novel of Elizabeth Kay, who under another name works as a commissioning editor...

Read more...

Don Winslow: Broken review - a staggering crash course in the possibilities of crime

Marina Vaizey

One of the masters of both mystery and thriller, Don Winslow’s latest volume is a reading bonanza: a collection of six crime-focused short novels (‘novellas’ feels too fancy for a writer so...

Read more...

Garth Greenwell: Cleanness review - pornography and high art

Markie Robson-Scott

Both Cleanness and Garth Greenwell’s award-winning first novel, What Belongs to You, are set in Bulgaria, with a gay American teacher as the anonymous first-person narrator (...

Read more...

Helen McCarthy: Double Lives - A History of Working Motherhood review – doing it for themselves

Gaby Frost

Want to enact mass social change? Make it about children. About their health, their prosperity, their future. Make it about men; their security, their wellbeing. Make it about society. What...

Read more...

Hilary Mantel: The Mirror & the Light review - magnificence must have an end

David Nice

Praise be to quarantine days for the chance to savour this, the crowning glory of the Wolf Hall trilogy - if not with the supernatural vigilance and attentiveness of Thomas Cromwell...

Read more...

Olivia Laing: Funny Weather review - essays on art, framed as antidote

Jessica Payn

Olivia Laing’s non-fiction has become well-known for the way it moves by means of allusive shifts, hybridity, and pooling ideas, making a roaming, discursive inspection of one broad primary...

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

 

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

House of Games, Hampstead Theatre review - adapted Mamet scr...

There is so much that is right about Jonathan Kent’s new production of House of Games – the casting, the staging, the...

Karim Said, Leighton House review - adventures from Byrd to...

William Byrd, Arnold Schoenberg and their respective acolytes go cheek by jowl, crash into one another, soothe, infuriate and shine in their very...

Album: MØ - Plæygirl

Danish singer MØ is a paradox. Initially she appeared to be another Scandi electro-pop princess of the bangers. The monster 2015 hit “Lean On”...

Stile Antico, Wigmore Hall review - a glorious birthday cele...

There was a wonderful festal spirit at the Wigmore Hall last night, as the vocal ensemble Stile Antico ran through a Greatest Hits selection in...

PUP, SWG3, Glasgow review - controlled chaos from Canadian p...

According to PUP lead singer Stefan Babcock, the Toronto foursome practiced together a grand total of twice before embarking on their current UK...

Zoe Lyons, Touring - midlife, without the crisis

Zoe Lyons knows her audience; as a few shoutouts confirmed, many of them are long-time fans, and have had lives with similar highs and...

The Last Musician of Auschwitz review - a haunting testament...

“It is so disgraceful, what happened there,” says Anita Lasker-Wallfisch, in a comment that is the understatement of the century. She is referring...

Giulio Cesare, The English Concert, Bicket, Barbican review...

Is Giulio Cesare in Egitto, to give the full title, Handel’s best and shapeliest opera? Glyndebourne’s revival of the legendary David...

Hallé, Elder, Bridgewater Hall, Manchester review - premiere...

Huw Watkins’ Concerto for Orchestra, the fourth new work of his to be commissioned and premiered by the Hallé and Sir Mark Elder, is...

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters